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Camera<br />

View cameras are the most flexible cameras, usually made from a<br />

basic design that has not changed for over 100 years. You know the<br />

guy in the old time photo studio who photographs with his head<br />

under a cloth? He's using a view camera. Edward Weston? He took<br />

most <strong>of</strong> his best photos with an 8x10" view camera. All those<br />

luscious ads for food in magazines? Taken with view cameras.<br />

A view camera is fundamentally a light-tight box with a slot at one<br />

end for a lens and a slot at the other for the film. You compose and<br />

focus your image on a groundglass, then displace the glass with a sheet <strong>of</strong> film in a film holder.<br />

The lens and film aren't fixed parallel to each other. This<br />

opens up a huge range <strong>of</strong> creative opportunities that are<br />

unavailable to most photographers. For example, if you<br />

want to take a photo <strong>of</strong> a building, the obvious thing to<br />

do is point the camera up towards the center <strong>of</strong> the<br />

structure. However, this results in projecting the vertical<br />

exterior <strong>of</strong> the building onto the angled film surface.<br />

The lines <strong>of</strong> the building will converge towards the top<br />

<strong>of</strong> the frame. A view camera allows you to keep the<br />

camera level with the ground and either shift the lens up<br />

or the film down. The film is now "looking up" at the<br />

building through the lens, but the film is still parallel to<br />

the building exterior so lines don't converge.<br />

If you're taking a picture <strong>of</strong> rocks in a stream with a<br />

view camera, you can achieve sharper focus by tilting<br />

the lens forward a bit. This will get the Scheimpflug<br />

Rule working for you: the planes <strong>of</strong> the subject, the lens,<br />

and the film should all intersect in a line. You can<br />

achieve the same result by leaving the lens fixed and<br />

tilting the film standard back a bit. This will improve the<br />

focus and also increase the relative prominence <strong>of</strong> nearby rocks since they will be stretched out onto the<br />

film.<br />

If you want to understand view cameras, you can start by reading B&H Photo's introduction to large<br />

format and the standard textbook on the topic: View Camera Technique. I provide some view camera<br />

sample images in my FlashPix References Images collection.<br />

Above: the very first image that I made with a view camera, back in 1981. I was a 17-year-old<br />

undergraduate at MIT taking an intro photography course (the only one I've ever taken). We had old<br />

cheap metal view cameras, loaded Tri-X, and developed the film and prints ourselves.<br />

http://www.photo.net/making-photographs/camera (3 <strong>of</strong> 9)7/3/2005 2:22:21 AM

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