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Nudes<br />

I took this in 1981 when I was a junior at MIT. I used a dark brown blanket as the<br />

background and the overhead light in my dorm room for illumination. The camera was a<br />

tripod-mounted Yashica twin lens reflex (6x6), valued at approximately $100.<br />

In 1993, I tried to duplicate the picture with higher-tech equipment. I used a $5,000<br />

Rollei 6008, elaborate studio strobe system with s<strong>of</strong>tbox, and motorized seamless paper<br />

background. Even the model was higher tech (taller, thinner). The results? Pathetic. The<br />

room light was too bright for me to adequately judge the outcome with the strobes'<br />

modeling lights. Consequently, the image was much too high in contrast.<br />

Sometimes a brain is more important than a fancy camera.<br />

Motion<br />

Most nudes are static, heir first to the tradition <strong>of</strong> painting and then to the limitations <strong>of</strong> early cameras. But with $30,000 <strong>of</strong> studio<br />

strobes there is really no reason not to show the body in motion. Richard Avedon keeps his models constantly in motion so that he never<br />

gets a frozen deer-in-the-headlights look. To ensure that the light on each model stays constant as he or she moves, Avedon has<br />

assistants follow the models around with lights at the end <strong>of</strong> booms.<br />

http://www.photo.net/nudes/ (3 <strong>of</strong> 21)12/08/2004 02:14:48

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