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Light<br />

Overcast Skylight<br />

A high overcast is perfect for a lot <strong>of</strong> photography. A studio photographer would think <strong>of</strong> this as "the<br />

mother <strong>of</strong> all s<strong>of</strong>tboxes". If you want to capture architectural details, an overcast day lets you do it<br />

without shadows obscuring anything. Overcast and/or rainy days are also the times to go into the forest<br />

and take pictures <strong>of</strong> trees. The one bad thing that you can say about an overcast day is that a big white<br />

sky makes a very bad photographic subject. Try to make sure that your photos have hardly any sky in<br />

them.<br />

Overcast skies are slightly more blue (7000 degrees Kelvin) than the color temperature for which<br />

daylight film is designed (5500 K; a mixture <strong>of</strong> direct sun and skylight). Officially, the Kodak<br />

Pr<strong>of</strong>essional Photoguide will tell you to use an 81C warming filter. I wouldn't bother unless you are<br />

photographing clothing for a catalog. [For comparison, open shade from a clear blue sky is 11,000 or<br />

12,000 degrees Kelvin and requires an 85C filter.]<br />

http://www.photo.net/making-photographs/light (5 <strong>of</strong> 22)7/3/2005 2:22:38 AM

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