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Photography <strong>of</strong> Architecture (Interior)<br />

By comparison, a 14mm lens on a 35mm camera captures an entire motel room from the doorway (also<br />

from Cape Cod -- this is the room where Mary Jo Kopechne stayed the night before her death (in Ted<br />

Kennedy's car, <strong>of</strong>f the Dike Bridge)):<br />

Go Tight (or at least normal)<br />

Wide, wide, wide all the time makes for dull photography. Sometimes you can highlight details or reveal<br />

patterns better with a normal (50mm) or longer lens.<br />

Go Fast (in public)<br />

In public interiors where the use <strong>of</strong> tripods is prohibited and flash is either prohibited or won't capture<br />

the mood that you've found, use a fast lens. A lens with an aperture <strong>of</strong> f/2.0 will work in light that is 1/4<br />

as bright as that required by a cheap zoom lens's f/4.0 maximum aperture. Going to f/1.4 from f/2.0<br />

http://www.photo.net/architectural/interior (8 <strong>of</strong> 14)7/3/2005 2:17:36 AM

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