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Studio Photography<br />

More<br />

● photo.net guide to body painting<br />

● nudes<br />

● Creative Lighting Techniques for Studio Photographers<br />

● Studio & Commercial Photography<br />

Studio photography is an equipment-intensive endeavor. Check out the photo.net recommended retailers<br />

for the full-line pr<strong>of</strong>essional camera shops that stock studio gear.<br />

Credits<br />

I'm grateful to John Tice (jontic@vt.edu) for educating me about specular/diffuse light.<br />

Text and pictures copyright 1982-1995 Philip Greenspun<br />

philg@mit.edu<br />

<strong>Reader's</strong> <strong>Comments</strong><br />

Putting a honeycomb grid over a s<strong>of</strong>tbox does not necessarily turn that diffuse light into a specular light,<br />

but it does head it in that direction. It all depends on the size <strong>of</strong> the holes in the honeycomb and the<br />

thickness <strong>of</strong> the honeycomb material. I've used largish diameter honeycomb hole material that<br />

maintained a pretty diffuse lighting pattern in terms <strong>of</strong> the subject, but still gave me a fairly quick cut<strong>of</strong>f<br />

outside the lit area. The Degree <strong>of</strong> Specularity depends solely on the angle subtended by the light in<br />

relation to the subject. In other words, if you're standing in the middle <strong>of</strong> the desert and being lit by the<br />

entire sky (and no sun), your light subtends an angle <strong>of</strong> almost 180 degrees relative to you, the subject.<br />

That's seriously diffuse light. On the other hand, if you're being lit ONLY by the sun, which is, relative<br />

to you, a very tiny one or two degrees <strong>of</strong> angle, the sun is rapidly approaching being a point source, and<br />

the shadows are very hard-edged indeed, and that's seriously specular light. The sun could actually be a<br />

very diffuse source if you were only a few miles from its surface. At that point, the sun, which is HUGE<br />

relative to you, would be taking up nearly half <strong>of</strong> your available vision, as does the sky in the desert, and<br />

it would be diffuse. And, <strong>of</strong> course, you'd be fried. The interesting point, here, is that for any given size<br />

<strong>of</strong> light source and any given size <strong>of</strong> subject smaller than the source, the closer you move the light, the<br />

more diffuse it will be. Most light sources are actually combinations <strong>of</strong> specular and diffuse light. If you<br />

take a piece <strong>of</strong> translucent fabric and put it between the light and the subject, you usually get that<br />

combination. The closer you bring the fabric to the light, the less fabric area you're lighting, the<br />

http://www.photo.net/studio/primer (10 <strong>of</strong> 17)7/3/2005 2:18:01 AM

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