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Recommended Labs Digital prints If you have an image that only exists digitally and you want a photograph-like physical copy, you can get a Light Jet print (up to 50x120 inches) from Portland Color. Alternatively, the Kodak Pegasus system at Boston Photo prints on conventional C-type paper up to 20x30" in size. If you have an image that you think might look interesting as a watercolor-y painting, then try an Iris ink- http://www.photo.net/photo/labs (5 of 10)7/3/2005 2:24:23 AM
Recommended Labs jet print on watercolor paper from Portland Color. I did this with the double flower photo that decorates the list of people who use my images. The results were beautiful, as you can see for yourself if you donate a few dollars to a no-kill animal shelter. Black and White prints When you look for a color printer, you are mostly looking for a good technician. If your image includes a fire engine and it isn't bright red in the final print, then you need a technician to fix the problem. Suppose that you have the same fire engine in a B&W negative. What shade of gray should it be in the final print? When you are looking for someone to print your B&W negatives, you are looking for a good partner. This person must respect your work enough to slave over it and must have a good enough rapport with you to understand what you want. Richard Avedon has several full-time printers. They make perhaps a dozen work prints from each negative. Avedon sits down with them and says "The face should have the contrast and density from work print #3, the arms the contrast and density from work print #7, the dress looks good in print #2, ..." Then the printers have to go back and figure out what combination of paper grade and dodging and burning will produce the combined result desired. This is the ideal working relationship. Because such a relationship is virtually impossible to achieve with a commercial lab, most serious B&W photographers print everything themselves. Personally, I don't like to spend my days alone in the dark. So I let Portland Color print my B&W and try to communicate my needs as clearly as possible. Because I so seldom do my own printing, my darkroom skills are rusty and therefore the printers at Portland Color do a better job than I ever would. Try to find a local lab where you can sit down and talk to the printer or at least drop by every day and look at work prints, circling problem areas with a grease pencil. A good B&W printer should be able to make archival prints on fiber-base paper with selenium toning. The selenium toning deepens the blacks and thus increases the image contrast. http://www.photo.net/photo/labs (6 of 10)7/3/2005 2:24:23 AM
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photo.net Learn Photography www.pho
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Tips for Using a Point & Shoot Came
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Guide to Framing Guide to Framing H
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Macro Photography The effort of set
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Macro Photography In the Canon EOS
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Macro Photography About Us | Photo.
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Photographing Comet Hale-Bopp Proce
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Star Streak Tutorial ● Use a trip
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Pinhole Photography A piece of card
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Pinhole Photography Descriptions an
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History of Photography Timeline ●
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Portrait Photography First Smile- E
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Underwater Photography Primer Snork
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photo.net Sports Photography -- Cap
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Concert Photography, A Tutorial for
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Street Photography Volume, Volume,
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Street Photography THANK YOU PHIL :
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Evaluating Photos Your pictures wil
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Welcome to arsdigita.com arsdigita.
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photo.net Interview: Elsa Dorfman I
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photo.net Color Printers Sign In/Re
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Color Printers If you want to try F
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Color Printers images to digitize.
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Color Printers continuing to send m
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photo.net Tripods and Tripod Heads
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Tripods black anodized legs for $13
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Tripods B&H sells the tripod for $4
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Tripods sleeves make the top one th
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Tripods review of the Arca-Swiss B1
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photo.net Tripods -- Cheap and Comp
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Tripods -- Cheap and Compact Text a
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Filters - UV or not UV? Promaster,
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Lens Suppose that you wish to flatt
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Lens Phil has given a very nice sum
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photo.net Exposure Sign In/Register
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Exposure philg@mit.edu Related Link
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Camera with an 8 x 10 view camera,
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Camera $3000 and sold to collectors
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Camera 120 roll-film camera. It cap
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photo.net Light Sign In/Register
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Light Landscape in Sunlight my cous
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Light Overcast Skylight A high over
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Page 619 and 620: Light about one-quarter of the ligh
Page 621 and 622: Light ● archived Q&A threads on l
Page 623 and 624: Light Abound using electronic flash
Page 625 and 626: Light -- Michael Chick, January 13,
Page 627 and 628: Light -- John Travassos, January 24
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Page 631 and 632: photo.net Making Photographs Sign I
Page 633 and 634: photo.net Dead Trees Sign In/Regist
Page 635 and 636: Dead Trees collections ● if you'r
Page 637 and 638: Dead Trees ● Photograph America,
Page 639 and 640: Dead Trees photographed -- a novel
Page 641 and 642: Dead Trees - Lisl Dennis, 1989, "Th
Page 643 and 644: Dead Trees decided to make a book,
Page 645 and 646: Dead Trees (technical notes, hints
Page 647 and 648: Dead Trees -- Mani Sitaraman, Novem
Page 649 and 650: Dead Trees there. When we keep subs
Page 651 and 652: Dead Trees what to consider when pu
Page 653 and 654: How Shift Lenses Change your Life H
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Page 663 and 664: Recommended Labs to check and doubl
Page 665: Recommended Labs FinePrint also wil
Page 669 and 670: Recommended Labs If you can't find
Page 671: Recommended Labs -- Mike Siesel, Fe
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