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Camera<br />

$3000 and sold to collectors, and various Chinese-made inexpensive toys (e.g., the Seagull for about<br />

$130). Used Mamiyas, Rolleiflexes, and Yashicas are common, however, and quite inexpensive. They<br />

are great for people taking darkroom classes who don't have much money but want a larger easier-tohandle<br />

negative.<br />

Rangefinder and lens-shutter cameras<br />

The simplest lens-shutter cameras are like my Fuji 617. Fuji took a view camera lens, with its shutter,<br />

and glued it to a rigid body that holds roll film. You lose the perspective control <strong>of</strong> a view camera but<br />

the result is a much simpler and more compact camera. Focusing on the simplest lens-shutter cameras is<br />

done by "guestimation"; the focusing ring on the lens is marked in feet and meters. You try to figure out<br />

how far away your subject is and then turn the ring accordingly.<br />

Most SLRs have focal-plane shutters. After all, if you're going to buy 10 lenses and one body, it makes<br />

more sense to put an expensive shutter only in the body. But if you've got a camera with a permanently<br />

affixed lens, it makes just as much sense to put the shutter in the lens. In fact, if a lens is very small, as<br />

with a consumer's point and shoot camera, a between-the-lens shutter can <strong>of</strong>ten be very small and<br />

therefore cheaper and faster than a focal-plane shutter that must cover the entire exposed film area.<br />

With a lens-shutter or rangefinder camera, you can't look through the lens. You view the image through<br />

a separate optical viewfinder. As with the TLR, the image on film will be a bit different than what you<br />

viewed due to parallax: the viewfinder isn't exactly aligned with the lens.<br />

It turns out that people aren't very good at estimating distance precisely. So companies began putting<br />

military rangefinders into lens-shutter cameras, coupled to the lens and the viewfinder. The<br />

photographer turns a ring on the lens until two superimposed images are aligned in the viewfinder.<br />

Modern lens-shutter cameras tend to have some sort <strong>of</strong> aut<strong>of</strong>ocus mechanism.<br />

Without the mirror and prism, lens-shutter cameras can be much lighter and more compact than an SLR<br />

using the same film format. Mamiya and Fuji roll-film rangefinders are actually lighter than the big<br />

Nikon and Canon 35mm SLRs, despite the fact that roll-film cameras produce a negative that is four<br />

times the size.<br />

With no mirror to slap, lens-shutter cameras are also much quieter than SLRs. The United Nations, for<br />

example, requires that photographers use Leica 35mm rangefinder cameras to record events.<br />

Panoramic Cameras<br />

Any camera can be a panoramic camera. You need only take a negative to a pr<strong>of</strong>essional laboratory and<br />

say "make me a long skinny print from this portion <strong>of</strong> the negative". Or take a negative to any lab and<br />

http://www.photo.net/making-photographs/camera (6 <strong>of</strong> 9)7/3/2005 2:22:21 AM

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