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Choosing a Computer System for Digital Imaging<br />

Then consider size. Most people assume bigger is better. It isn't. Look over the<br />

specs carefully. You'll notice that smaller monitors are significantly sharper than<br />

larger monitors. Seventeen-inch to 19-inch monitors <strong>of</strong>fer the best compromise<br />

between sharpness and screen area. This has not changed in the last 10 years. The<br />

problem is that a 17-inch or 19-inch monitor is too small for your images and all<br />

the tool palettes you'll need to work on them. The solution is to use two monitors.<br />

Get a 15-inch monitor for holding your tool palettes. You won't believe how much<br />

time this will save you until you use a dual-monitor setup.<br />

LCD monitors are just now (early 2002) maturing to the point where they may be<br />

useful for critical color work. Their advantage is a smaller footprint than CRTs,<br />

meaning they take up less desk space. LCD monitors do not flicker like CRTs, so<br />

are easier on your eyes during long work sessions. The disadvantage is that LCD<br />

monitors remain two to three times as expensive as CRTs with the same usable<br />

pixel dimensions.<br />

Calibrating the Monitor<br />

You need a monitor that gives you hardware control over the white point and the<br />

individual electron guns so you can calibrate it properly. PhotoShop ships with a<br />

built-in s<strong>of</strong>tware calibrator. The Macintosh OS ships with a Calibration Control<br />

Panel. Adobe ships Adobe Gamma with PhotoShop. Ignore these tools. They're<br />

good enough for non-critical work, such as desktop publishing or web<br />

development, but the only way to properly calibrate a monitor is with a hardware<br />

sensor to measure the colors, and s<strong>of</strong>tware that lets you adjust the red, green, and<br />

blue separately. Optical makes a very nice calibrator for a good price, but - as with<br />

all things in the computer industry - things will change with time. Ask on the photo.<br />

net non-archived forum for current choices.<br />

How Much RAM Do You Need?<br />

Before deciding how much RAM to purchase you need to decide how you're going<br />

to scan your photos. If you want a home desktop scanner for getting 35mm images<br />

into your computer you'll need a lot less RAM than someone who shoots 4x5 film<br />

and sends slides to a service bureau for drum scanning.<br />

Also consider how much post-scan manipulation you'll perform on the files.<br />

Cleaning up dust and scratches does not increase file sizes. Using multiple<br />

adjustment layers in PhotoShop can easily double or triple the file size. Keeping<br />

these files in RAM so your computer doesn't access the scratch disk frequently will<br />

speed your work tremendously. For example, consider a typical 35mm slide<br />

http://www.photo.net/photo/computers (2 <strong>of</strong> 33)7/3/2005 2:19:07 AM

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