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Portrait Photography<br />

Chestnut Hill Street Fair Mime<br />

I am in agreement with Alex Lee. Too many people view photos and one <strong>of</strong> the first things they check is the<br />

photo equipment. Pr<strong>of</strong>essional equipment does not make for a pr<strong>of</strong>essional photographer. Whatever equipment a<br />

pro is using, instead, becomes pro equipment. Any decent camera and lens will give great results, when used<br />

properly.<br />

-- Jeff Bishop, December 8, 2002<br />

The D-30/D-60 class <strong>of</strong> digital SLRs can certainly take fine portraits. I have been using my D-30 for that purpose<br />

for some time, and even an <strong>of</strong>f the cuff "snapshot" can turn out quite well with this camera, an 85 1.8 lens and a<br />

bounced 550EX flash. Here's an example <strong>of</strong> one I shot around Christmas. ISO 100.<br />

Image:father.jpg<br />

-- Stephen Lutz, January 20, 2003<br />

As a new member <strong>of</strong> photo.net, it has been a real pleasure reading this article and the responses from so many<br />

members. Having been involved with photography since 1970, I would like to put in my two cents. My first<br />

camera was a Canon Ftb and I took some <strong>of</strong> my most flattering, sharp, and valued portraits with that camera and<br />

the 55mm lens that came with it. Today, I own my second camera, an Elan bought in 1992, before they started<br />

numbering them. I purchased it because <strong>of</strong> my failing eyesight; I could no longer see well enough to focus<br />

manually. I still take flattering portraits but with all the focusing assist <strong>of</strong> the Elan, I feel like I've lost some<br />

control <strong>of</strong> my portraits. Even still, I love my Elan because it allows me to still be involved in photography. So<br />

I've owned two cameras in 32 years. I've heard people argue about equipment for decades, and now that digital is<br />

on the scene, I'm listening to the digital/chemical debate. It all comes down to one thing though. Its the way we<br />

see. It doesn't matter whether its using a point-and-shoot or a Hasselblad, an S-100 or a D-1, its the final result<br />

that matters and in the case <strong>of</strong> portraits for pay, its what the client sees that matters too. When I listen to others<br />

talk about equipment, I really hear them talk about how they love to see, what a beautiful world they see through<br />

their own eyes, how their equipment helps them see, and how they want to share what they see with others.<br />

-- Jon Revere, January 24, 2003<br />

I found the Portait article to be very informative, the only comment is that I personally like zooms they allow me<br />

a student on a budget to get the photos I want without having to dish out for extra lenses, I currently use a<br />

Minolta x-700 for studio work, and a canon eos 1n with a 70-200mm 2.8 sigma for outdoor,location work. I am<br />

not a portrait photographer, I shoot rock bands but have been hired to photograph bands for promotional work<br />

and I like the lens I have just fine. I think tele zooms do have a place, the optics are really good, and the allow<br />

more creative freedom. -Mark<br />

-- Mark Whitaker, January 31, 2003<br />

The portrait page is good, but I agree with a couple <strong>of</strong> the comments that there is too much talk about equipment.<br />

http://www.photo.net/portraits/intro (24 <strong>of</strong> 37)7/3/2005 2:16:41 AM

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