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Studio Photography<br />

Watt second / Joule ratings can be very misleading as they relate to the supplied electrical power and not<br />

the actual light output. Guide numbers are <strong>of</strong>ten not much better because they depend on conditions and<br />

reflectors defined by each manufacturer. A specific example <strong>of</strong> this are semi-pro monolights <strong>of</strong> similar<br />

price from two popular UK manufacturers:<br />

The Courtenay Solapro 300 has a 300 Joule rating and a guide number <strong>of</strong> 52m @ ISO100<br />

The Prolinca 400 has a 400 Joule rating and a guide number <strong>of</strong> 51m @ ISO100<br />

On the face <strong>of</strong> it there's not much to choose between the two and the Prolinca is more popular because <strong>of</strong><br />

its (irrelevant) higher Joule rating and the fact that it sits at the bottom <strong>of</strong> the much larger Elinchrom<br />

pr<strong>of</strong>essional range. However, further investigation reveals that the Courtenay is even more efficient than<br />

it already appears and has a 1 to 1.5 stop light output advantage when measured under the same<br />

conditions. This is because the Courtenay spec. is based on a 65 degree reflector and the Prolinca on a<br />

special 52 degree reflector that concentrates the light more to improve the paper specification.<br />

I don't know where else these models are available, but I'm sure the moral <strong>of</strong> this tale applies to<br />

manufacturers around the world. Sadly, reviewers don't <strong>of</strong>ten pick up on this fine, but important, detail<br />

and it's up to the individual photographer to test the products under the specific conditions that they will<br />

be used.<br />

-- Sean Sedwards, August 23, 1999<br />

Hi guys.. I seem to always run into this nagging delinquent conversations about brand "X" being better<br />

than brand "Y" and "Z" put together. Forgive the interjection (and the wet blanket statements to follow),<br />

but I've always been under the impression that the photographer will do whatever is necessary to achieve<br />

the effect intended. And, regardless <strong>of</strong> the tools used, is considered to have succeeded when that given<br />

initial intended effect is achieved.<br />

That being said, I've <strong>of</strong>ten challenged students <strong>of</strong> mine to outshoot me with their expensive cameras<br />

while I use the cheapest cameras <strong>of</strong> all time... the China made "Seagull". Costing no more than US$60, I<br />

can make the fixed focal length, twin lens beast (el cheapo) perform most <strong>of</strong> my commands.<br />

Bare basics come to mind:<br />

Composition, exposure, timing, color balance, tonality, subject matter, just to name a few.<br />

While I find it simply tickling when I stroll into a camera store, to hear the ever unceasing Nikon vs.<br />

Canon Wars, or the Mamiya Vs. 'Blad rampages, I cannot but feel sorry that we, have all fallen prey to<br />

the "prestigeous snob elite" bug.<br />

"WOW! look at that BIG 600mm lens" "My Leica M6 has a custom ostrich skin leather replacement"<br />

http://www.photo.net/studio/primer (12 <strong>of</strong> 17)7/3/2005 2:18:01 AM

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