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Studio Photography<br />

"Cold lights" are electronic flashes, much more<br />

powerful than the ones on your camera but basically<br />

the same idea. Studio strobes come in two flavors:<br />

monolights and powerpack/head systems. The<br />

business end <strong>of</strong> both is the same, a flash tube<br />

surrounding an incandescent bulb. The incandescent<br />

bulb, usually around 100 watts, is the "modeling<br />

light," used by the photographer to judge lighting<br />

effects and ratios. These aren't very effective if the<br />

ambient light in the studio, e.g., from windows, is<br />

high. Most photographers burn a few Polaroids to<br />

make sure that the lights are properly set.<br />

A monolight has a wall outlet on one end, a flash tube<br />

on the other, and a big block <strong>of</strong> capacitors in between.<br />

These are nice for location work because you don't<br />

have have a lot <strong>of</strong> cables running around. Using<br />

several monolights together isn't as much <strong>of</strong> a problem as you'd think because (1) good monolights have<br />

a 4 or 5 f-stop output adjustment control, and (2) most monolights have a built-in slave so that when one<br />

fires, they will all fire.<br />

In a powerpack/head system, you have one big heavy capacitor-filled power pack and a bunch <strong>of</strong><br />

relatively lightweight heads connected by high-voltage cables to the powerpack. You can adjust the<br />

lighting power among the heads and also the overall light output. These are the most flexible and most<br />

commonly used studio flash systems. Flash power is specified in watt-seconds (joules), somewhat<br />

confusingly abbreviated as "w/s".<br />

Choosing a brand <strong>of</strong> studio strobes is a similar process to choosing an SLR camera system. If you buy<br />

the wrong brand, you may have to scrap your entire investment as your ambitions grow. I don't have<br />

enough experience with monolights to suggest a brand, but Sunpaks are cheap (around $350 each for<br />

400 w/s) and have been around for a long time. I certainly wouldn't buy anything cheaper or more<br />

obscure than those. Calumet sells some 750 w/s monolights (around $500) with a 5-stop output<br />

adjustment and I would think they would be easier to work with, especially because they take all the<br />

light-control accessories made for standard Calumet flash heads.<br />

http://www.photo.net/studio/primer (4 <strong>of</strong> 17)7/3/2005 2:18:01 AM

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