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Studio Photography<br />

When using studio flash don't forget about THE HOME DEPOT school <strong>of</strong> lighting. Hardware stores<br />

have lights, clamps, black plastic, to cover windows,etc. Corragated dryer vents cut into 10 inch lengths<br />

makes great snots for lights, its even adjustable. To tighten the pattern pull on the vent and it lengthens<br />

and makes the light pattern smaller. Also if you mix tungsten light with flash the tungsten is yellow and<br />

can be described as warm. It looks good on the background. Go to your nearest hardware store and<br />

think. Thom Wolf, TWFV@netscape.net<br />

-- Thom Wolf, September 28, 2000<br />

So nice to see somebody finally admitted tripods are not needed at all times and to admit that hot lights<br />

have some advantages. I have been a "serious amateur" for years and am finally in the process <strong>of</strong> setting<br />

up my studio. I intend to specialize in infants and children but it has been an uphill battle convincing my<br />

husband that I don't have to use a tripod to run a studio.<br />

With kids, they do not hold still for more than a fraction <strong>of</strong> a second at a time. If I use a tripod, or<br />

anything else that keeps me from moving the camera, then I WILL miss the best shots.<br />

Also, with hot lights (provided you have enough room to bounce them) you don't miss shots due to the<br />

flash cycle time. Some <strong>of</strong> the best faces happen just after you take the first shot. You need to be able to<br />

snap again immediately.<br />

Thanks for the info.<br />

LizM<br />

-- Liz Masoner, March 11, 2001<br />

A few notes:<br />

-Colored acetate/polyester/mylar/whatever in front <strong>of</strong> lights are not filters. They're gels. Filters go in<br />

front <strong>of</strong> the lens and are optical grade, while gels are made only for lights. Don't mix them up.<br />

-A s<strong>of</strong>tbox with a grid does not change the quality <strong>of</strong> the light. It only restricts the light from spreading.<br />

-Low end strobes have a wide variance in color temperature. If you plan on shooting chrome in the<br />

studio with a cheap system, and want predictable results, you had better get a color meter and know how<br />

to use it properly. It would save much trouble to just purchase the high quality strobe system. If you're a<br />

pr<strong>of</strong>essional, you can't afford not to.<br />

-- Ad T, June 21, 2001<br />

this issue <strong>of</strong> what lights or any other equipment to buy is kind <strong>of</strong> silly. What you use is linked to how<br />

http://www.photo.net/studio/primer (14 <strong>of</strong> 17)7/3/2005 2:18:01 AM

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