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photo.net<br />

photo.net Interview: David Julian<br />

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by Lisa Surati for photo.net.<br />

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Home : Interviews : One Interview<br />

Our second featured interview in the photo.net interview series is<br />

with David Julian, a pictorial photographer in Seattle, WA .<br />

● Community<br />

Background<br />

David Julian works as a pr<strong>of</strong>essional photographer, illustrator,<br />

designer and teaches annually at the Santa Fe Workshops. Working<br />

as an artist in related fields, David creates images for galleries and<br />

private collectors as well as illustrations for print and multimedia<br />

companies.<br />

The Interview<br />

Photo.net met up with David and asked him a few questions.<br />

1. Tell us about your experiences getting started as a pr<strong>of</strong>essional photographer.<br />

I began as most folks did in photography's pre-automatic days, by using a simple manual camera<br />

to record where I went and what features I liked there. I was quite shy and therefore avoided<br />

photographing people. I stuck to shooting macros, as I am a very detail-oriented person and love<br />

insects and other natural fauna. As I began to take the camera camping and on road trips, I added<br />

landscapes to my repertoire, keeping the best landscape photographers' work in mind to measure<br />

myself against. I also drew ideas and made notes <strong>of</strong> images I wanted to find. I trained myself to<br />

see more graphically, and learned to use the camera's features to obtain the results I desired.<br />

http://www.photo.net/interviews/davidjulian/ (1 <strong>of</strong> 6)7/3/2005 2:19:56 AM<br />

As I loved rich color and deep saturation, I shot only color<br />

slide film and louped or projected the results for friends.<br />

That grew as a source for critical praise and feedback,<br />

helping me see what worked or what didn't in my images. It<br />

also gave me lots <strong>of</strong> personal confidence- something I<br />

lacked in my younger days. I never got around to taking any<br />

photography courses, preferring to remain self-taught and<br />

largely un-influenced by any mentors. I therefore never<br />

optically printed my own black and white images, as most

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