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Photographing Ruins Look for text and words, it creates an immediately accessible link to a place, object or function and gets the viewer involved in a very direct way with the site. Stitching shots together to form a panorama is an option for sites that are just to big to fit in even a ultra wide lens, plus you maintain a normal lens look to the shot. Overlap many frames to be sure the stitching software will be able to connect the shots together. For this shot below I used a tripod and swiveled the camera so that the viewfinder was overlapping about 1/2 of the previous frame. http://www.photo.net/architectural/ruins/ (7 of 19)7/3/2005 2:17:50 AM
Photographing Ruins It is a good idea to always use a tripod when shooting buildings, ruins and similar sites. You want to keep the camera level and rock steady while composing and carefully framing your shot with exactly the information you are trying to capture, and you are doing all this while thinking about getting your exposure and depth of field correct; too many things to keep track of and get right while hand holding your camera, especially if you use a hand held light meter. When you move into the interiors of these ruins the reasons will become more obvious with exposure times usually in the range of 1 to 30 seconds and longer. It helps to lead your viewer into the interior of the building just as you would experience when walking into the building yourself. Show a doorway and an entrance area, a hallway with details beyond to pull the viewer in. http://www.photo.net/architectural/ruins/ (8 of 19)7/3/2005 2:17:50 AM
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