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How Shift Lenses Change your Life<br />

be true for any "old" mount with manual aperture control, because it would take Rube Goldberg<br />

hardware to translate the mechanical movement at the mount to movement at the aperture, when half the<br />

lens moves up and down.<br />

You will be paying quite a bit extra, both for the optics that make a larger, shift-able image, and the<br />

hardware on the lens that let you move the glass up and down. Even then, the lens will probably have a<br />

smaller maximum aperture than you'd expect. For instance, a Canon 24mm/2.8 is about $500 while the<br />

shifting 24mm/3.5 is more like $1200 on the street. If its any consolation, the makers are probably losing<br />

money on every one they make due to the low volume <strong>of</strong> production. You'll see all three Canon TS-E<br />

lenses for the same price, even with their vastly different optics, because Canon is <strong>of</strong>fering them to<br />

complete its lineup, and not attempting to price them to recoup their cost.<br />

Tele-Converters<br />

A tele-converter (TC) is a lens group that attaches between your objective lens and camera body. They<br />

typically magnify the image size by a factor <strong>of</strong> 1.4x, 1.5x, 2x, or 3x. TC's also (sadly) increase your fstop<br />

by the same factor. Generally any older TC or 2x TC with less than seven elements will be crap.<br />

On shift lenses, a TC will also (for practical purposes) increase the amount <strong>of</strong> your shift. The Canon TS-<br />

E lenses go from 11mm shift to 15.4mm (1.4x) or 22mm shift (2x). Looking at image #3, guess where<br />

you can now place your ground level. The horizontal format can suddenly lose the bottom third <strong>of</strong> your<br />

building, when the centerline moves to 10mm below the bottom <strong>of</strong> the frame with a 2x. The vertical<br />

format can move the centerline to 4mm below too. (Just as lens specs are not exact, teleconverter specs<br />

can be pretty loose. A nominally 2x converter may be 1.8x or 1.9x. Never seem to be better than<br />

advertised, even for Leitz and Zeiss.)<br />

Now, compare the Canon TS-E 45mm/2.8 vs. the TS-E 90mm/2.8. With a 2x TC, the 45mm/2.8 turns<br />

into a 90mm/5.6... but with 22mm shift possible instead <strong>of</strong> 11mm. Which sounds like more fun?<br />

Since TC's in effect take their picture from the center <strong>of</strong> the objective lens' image, they avoid problems<br />

that tend to arise in the corners <strong>of</strong> the objective.<br />

But Wait! That's not All!<br />

Any Shot with Lines!<br />

The example buildings can be replaced with trees. Show those forest canopies while avoiding the "acid<br />

trip trees" look. Or any other shot where there are two parallel lines... and if that sounds like "most<br />

shots" you get the picture. Back before rolls <strong>of</strong> film were invented, there was a time when all camera<br />

lenses shifted, and truing perspective was considered as important as focus and selecting shutter speed<br />

and aperture. (Back then, they also used a variety <strong>of</strong> terms for shift: rise was shift up, etc. Archaic people<br />

still do so today 8-)<br />

With the first pr<strong>of</strong>essional-use "box" cameras (as opposed to bellows cameras), a generation <strong>of</strong><br />

http://www.photo.net/photo/canon/tilt-shift (4 <strong>of</strong> 9)7/3/2005 2:24:04 AM

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