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Street Photography<br />

aware <strong>of</strong> the photographer's existence there (then you have the media exec, two women, the dogfight and<br />

the photographer taking the picture). IMHO it makes the photograph a little more interesting.<br />

-- George Bielinski, November 26, 2000<br />

Hey, if you want B&W, can't you just use the "Desaturate" command in Photoshop? It's a digital image<br />

at this point....<br />

-- Michael Yacavone, November 28, 2000<br />

My dear friend Michael, those photographs were *taken* in colour. The photographer knew this, and<br />

composed accordingly. You cannot simply desaturate a colour image in Photoshop and get a decent<br />

B&W image. The *style* <strong>of</strong> your photography, at camera level, must change in B&W. Try using<br />

"Desaturate" in Photoshop, with the images on this page, to see what I mean. A good colour image will<br />

nearly always be poor in B&W (and vice-versa, if you go to the bother <strong>of</strong> colouring it).<br />

-- Samuel Dilworth, November 28, 2000<br />

Sorry but I do not feel this page demonstrates street photography. The images mostly look as if taken<br />

with telephoto lenses. (Shyness or cowardice?)<br />

Where are the stories? All the best 'street' photographs I can think <strong>of</strong> tell some sort <strong>of</strong> story. This was<br />

'tourist photography'. Not bad pictures but not exactly crammed with expression <strong>of</strong> the human condition.<br />

For an object lesson in Street Photography try Bill Brandts images from the East end <strong>of</strong> London. All<br />

taken with Normal lenses so the photographer had to interact with his fellow humans rather than 'grab'<br />

sneak shots out <strong>of</strong> car windows. Making pictures rather than Taking pictures. Gaining a bit <strong>of</strong> empathy<br />

before 'shooting' your victims. Some <strong>of</strong> these pictures are hit and run. Also when photographing poverty<br />

try and preserve the subjects dignity because otherwise it is an unequal relationship. After all, you (and<br />

others) are getting good mileage out <strong>of</strong> the 'quaint' depravation you picture with your 2000 dollar<br />

'photojournalists' 35 - 300mm lens so try and give something back to them.<br />

Maybe this is why Bill Brandt is a legend and Phil isnt.<br />

-- Trevor Hare, November 29, 2000<br />

If you're ten feet away from your "victim" while carrying an 80-200 2.8 lens, would you characterize<br />

that as "shyness" or "cowardice?" One can make a lot <strong>of</strong> successful arguments against PhilG's<br />

photography, but he's certainly not timid. Telephoto lenses serve very well to isolate subjects, and to<br />

preserve candidness - which many people feel (differently from you) is the essence <strong>of</strong> "street<br />

photography." I use all focal lengths in its pursuit.<br />

For what it's worth, I also agree that traditional street photography is done with B&W film, and that<br />

http://www.photo.net/photo/street-photography (9 <strong>of</strong> 31)7/3/2005 2:18:44 AM

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