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Reader's Comments - Index of - Free

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Light<br />

D"). If you are using color negative film, photo labs can compensate to a large extent for this color cast<br />

in the printing, but I prefer to do it at exposure time with an FL-D filter.<br />

Indoors -- Incandescent Lights<br />

Standard light bulbs are much warmer than daylight, only about<br />

2900 K for a 100-watt light bulb. If you are using daylightbalanced<br />

film, you'll get a very pronounced yellow cast unless you<br />

stick a blue filter over your lens (Kodak says 80A + 82B). An<br />

alternative is to use tungsten-balanced film. Tungsten film is really<br />

designed for 3200 K photo lamps but it is better than daylight.<br />

Electronic Flash<br />

Although I'm sort <strong>of</strong> proud that the strobe was an MIT invention<br />

(Doc Edgerton), there is no doubt in my mind that the electronic<br />

flash has done more to ruin the average photograph than any other<br />

new technology.<br />

In the good old days, even amateur photographers were reasonably<br />

careful about light. You took your subject out on a high overcast<br />

day. You placed your subject next to a large window. You stuck<br />

your camera on a tripod.<br />

What do we do now? Point and shoot without thinking. The camera will automatically blast the subject<br />

with light from the built-in strobe if there isn't enough ambient light. Thus, 90% <strong>of</strong> our subjects come<br />

out with that "deer in the headlights" look.<br />

http://www.photo.net/making-photographs/light (9 <strong>of</strong> 22)7/3/2005 2:22:38 AM

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