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Tips for Using a Point & Shoot Camera<br />

get the same long shutter speeds for capturing ambient light that you would with "flash <strong>of</strong>f" mode. The<br />

standard illustrative picture for this has an illuminated building at night as the background with a group<br />

<strong>of</strong> people in the foreground who've been correctly exposed by the flash.<br />

Sometimes it all comes together, as it did here in Coney Island. Without fillflash,<br />

the ride operator would have been a silhouette. Prefocussed on the<br />

human subject's face. "Flash on" mode.<br />

Prefocus<br />

The best-composed photographs don't usually have their subject<br />

dead center. However, that's where the focusing sensor on a P&S<br />

camera is. Since the best photographs usually do have their<br />

subject in sharp focus, what you want to do is point the center<br />

sensor at your main subject, hold the shutter release halfway<br />

down, then move the camera until you like the composition.<br />

Virtually all P&S cameras work this way but not everyone knows<br />

it because not everyone is willing to RTFM.<br />

A side effect <strong>of</strong> prefocusing is that most P&S cameras will preset exposure as well. Ideal exposure with<br />

a reflected light meter is obtained when the subject reflectance is 18% gray (a medium gray). Exposure<br />

isn't very critical with color negative film, but you still might want to attempt to prefocus on something<br />

that is the correct distance from the camera and a reasonable mid-tone. I.e., avoid focusing on<br />

something that is pure white or black. This becomes much more important if you are using slide film.<br />

Burn Film<br />

http://www.photo.net/learn/point-and-shoot-tips (5 <strong>of</strong> 35) [5/15/2002 7:15:46 PM]

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