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Pinhole Photography<br />

Larry Fratkin's Online Pinhole Calculators<br />

David Balihar's PinholeDesigner<br />

The Pinhole FAQ (English)<br />

FAQ du sténopé (French)<br />

Lochcamera FAQ (German)<br />

Postscript<br />

Photographers photograph in varying degree for (a) the experience or for (b) the<br />

images. When you photograph for the experience, the emphasis is on the process<br />

itself – the pleasure <strong>of</strong> the making a pinhole camera, the pleasure <strong>of</strong> planning<br />

pictures, and the pleasure <strong>of</strong> making pictures with a simple device. When you<br />

photograph for the images, the emphasis is mainly on the result. The pinhole<br />

camera is basically an imaging device with potentials which other cameras or<br />

techniques do not possess, e.g. s<strong>of</strong>tness <strong>of</strong> definition, infinite depth <strong>of</strong> field,<br />

rectilinearity.<br />

In photography certain subjects may be better suited for a particular technique than<br />

others. Photojournalists, for example, normally use 35 mm SLRs in their work.<br />

Portrait photographers <strong>of</strong>ten use medium format cameras. Architecture is best<br />

rendered by large format cameras. Also in pinhole photography some subjects are<br />

better suited than others. Long exposures exclude certain subjects, s<strong>of</strong>tness <strong>of</strong><br />

definition exclude others. Infinite depth <strong>of</strong> field and rectilinear ultra wide-angle<br />

images represent a special potential.<br />

Beginners should start with subjects with clear graphic shapes or bright colors in<br />

sunlight. Cityscapes tend to make better pictures than rural landscapes with their<br />

s<strong>of</strong>t lines and s<strong>of</strong>ter shades <strong>of</strong> color or grey tones – at least for the beginning<br />

pinhole photographer. Portraits may prove slightly more difficult than still lifes,<br />

objects, structures, buildings and cityscapes.<br />

Note:<br />

[1] English translation: "If the facade <strong>of</strong> a building, or a place, or a landscape is<br />

illuminated by the sun and a small hole is drilled in the wall <strong>of</strong> a room in a building<br />

facing this, which is not directly lighted by the sun, then all objects illuminated by<br />

the sun will send their images through this aperture and will appear, upside down,<br />

on the wall facing the hole". (Eder, 1945:39).<br />

Literature<br />

1 History<br />

Aristotle. Problems. I. Books I-XXI. With an English translation by W. S. Hett, M.<br />

http://www.photo.net/photo/pinhole/pinhole (23 <strong>of</strong> 28)7/3/2005 2:15:39 AM

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