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Color Printers<br />

Today I visited Sammy's Camera in Hollywood, CA, and saw a nice Fujix printer<br />

that does not cost 30K anymore. The model is NC-500, it is only 7K, (like I have<br />

7K laying around... ) and it uses "thermo autochrome" printing process. From the<br />

brochure I found out that the dies are embeded the paper, and that's it. No messy<br />

processing, just heat and UV light to stabilize the dyies. Paper, according to the<br />

salesman, is about $1 a sheet. Output looked very nice, it had that "photographic"<br />

quality. BTW, there is nothing mentioned in the FUJI's flyer regarding longevity <strong>of</strong><br />

the prints, so I took the sample I was able to obtain, cut it up into "test strips", and<br />

placed them in following places: one with my photos in the notebook, second under<br />

the transparent plastic <strong>of</strong> my notebook, and third - in direct sunlight (for about half<br />

the day) in my balcony. I will let you know what happens in about a month. As a<br />

control, I am using Kodak's RC Polycontrast paper print. If anyone has more info<br />

or questions on the printer I saw, let me know. I'll do my best!<br />

Cheers, Agnius<br />

-- Agnius Griskevicius, April 17, 1997<br />

Today I took down the test strip I had hanging in sunlight and compared to the<br />

other 2 strips that were not treated so harshly. These are my observations: 1) Sunlit<br />

strip <strong>of</strong> Fuji's "auto thermochrome" paper shifted to yellow and got<br />

"warped" (wavy). Original grays now look green, original whites looks yellowish.<br />

2) No naked eye observable difference <strong>of</strong> Kodak Polycontrast RC print hanged in<br />

sunlight or archived in files. Conclusion: Because Fuji uses ultraviolet part <strong>of</strong> the<br />

spectrum in "stabilizing" colors, direct exposure to vast quantities <strong>of</strong> sunlight<br />

(which has plenty <strong>of</strong> UV in it, even filtered by smog here in L.A.), destroys the<br />

prints. If you want more "permanence", make silver halide prints. For color use<br />

Cibachrome (now Ilfochrome). I am not versed in color printing, so those<br />

recomendations are not mine. Happy printing!<br />

Agnius Griskevicius<br />

"I love the smell <strong>of</strong> the fixer in the morning"<br />

-- Agnius Griskevicius, May 11, 1997<br />

I have read the page on Colour Printers. The direct comparisons with the quality <strong>of</strong><br />

photographic prints is well justified, especially in the area <strong>of</strong> longevity, is well<br />

justified, I think we should be looking upon digital printers rather as a NEW<br />

medium, and judging the results on their own merit. In the early days <strong>of</strong><br />

photography the prints were compared very unfavourably with paintings, and early<br />

attempts at photo-mechanical reproductions were poor subtitutes for the originals.<br />

http://www.photo.net/equipment/digital/printers/primer (5 <strong>of</strong> 36)7/3/2005 2:20:36 AM

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