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Portrait Photography<br />

Is the 80-200/2.8 zoom useful?<br />

Well, you can tell me. The photo at left (Dieter) was taken with a<br />

Canon 35-350L zoom lens. I was traveling light in Costa Rica<br />

and didn't have room for a supertelephoto. The 35-350L slows<br />

down to around f/5.6 at longer focal lengths. The photo at right<br />

(Emma) was taken in Alaska's Katmai National Park. I was there<br />

to take photos <strong>of</strong> bears so I had my 300/2.8 with me. For my<br />

taste, the portrait <strong>of</strong> Emma is vastly better due to the shallower<br />

depth <strong>of</strong> field and consequently less distracting background. Too<br />

bad I was using Fuji Velvia film, which is not the best for skin<br />

tone.<br />

Though the big pr<strong>of</strong>essional zooms are heavy and not as sharp as primes, I find that<br />

they encourage me to experiment. At right is a standard portrait that I took for my New<br />

York section. If I'd had a fixed 180 I probably wouldn't have been able to back up far<br />

enough to get in this much <strong>of</strong> Tal's body. On the other hand, if I hadn't been able to<br />

rack my Canon 70-200/2.8L lens out to 200, I might not have gotten the photo below<br />

(sadly the negative was damaged by the Duggal lab in New York).<br />

6x6: Give your subjects some room<br />

The rectangular format <strong>of</strong> most cameras encourages photographers to crop rather tightly around a subject's face<br />

or torso. The 6x6 cm square format encourages you to give subjects a little bit <strong>of</strong> space.<br />

http://www.photo.net/portraits/intro (7 <strong>of</strong> 37)7/3/2005 2:16:41 AM

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