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Portrait Photography<br />

I share a studio with a world-famous portrait<br />

photographer: Elsa Dorfman. We have access<br />

to the same location, background, lights, and<br />

equipment. But I'm not a portrait photographer<br />

and Elsa is. What's the difference? Elsa cares<br />

about people. She is genuinely curious about<br />

people she has never met and can connect with<br />

them in just a few minutes. After a one-hour<br />

session, she knows more about her average<br />

subject's life than I do about my sister's.<br />

Elsa uses a 20x24" Polaroid camera. Film costs<br />

about $50/exposure, so she limits herself to two<br />

exposures per subject. Yet her photo <strong>of</strong> me and<br />

Alex (at right) is one <strong>of</strong> the only pictures <strong>of</strong><br />

myself that I like. I'm sometimes able to<br />

capture the essence <strong>of</strong> a friend's expression, but<br />

I give myself 36 tries with a 35mm camera or<br />

at least 12 tries with a medium format camera.<br />

Studying Elsa's artistic success has made me<br />

believe that the most important thing about<br />

portrait photography is an interest in your<br />

subject. If you are so busy working that you<br />

can't care about strangers then don't take their<br />

photos! Or at rate, don't expect those photos to<br />

be good. I'm reasonably happy with some <strong>of</strong><br />

the portraits I took on my trip to Alaska and<br />

back because I had 3.5 months in which to be<br />

alone and learn to appreciate the value <strong>of</strong> a<br />

stranger's company and conversation.<br />

Location<br />

http://www.photo.net/portraits/intro (2 <strong>of</strong> 37)7/3/2005 2:16:41 AM

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