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Street Photography<br />

are same or differnt from human beings as photographic subjects ;-) ]. As Elli Wallach said in the movie<br />

'The Good Bad and the Ugly' - "When you shoot, you shoot, dont talk"...it was shooting <strong>of</strong> a different<br />

kind though but its principle applies to street photography as well.<br />

But it is also true that the photographer can introduce himself to his subjects and win their trust and take<br />

pictures over weeks and months...this improves the chances <strong>of</strong> better framing, lighting and yet capturing<br />

the candid mood and the moment since the photographer is not viewed as an alien any more and can<br />

work at close range without worried about being spotted.Often I visit a place where I am familiar face<br />

now, at least to quite a few, and returning with gift prints helps to build a friendship. I can take pictures<br />

with the candid mood working at close range...sometimes point blank with a wide lens But that is<br />

fundamentally different from the pictures you take as you walk down the street while trying to keep<br />

yourself inconspicous.<br />

Many beginner photographers think that people dont like to be photographed and this may be true in<br />

many places but from my experience in taking people shots in streets <strong>of</strong> Tokyo, New York and Calcutta,<br />

I can say that it is not generally true...many do like to be photographed, many dont even know if they are<br />

being photographed and most apparently dont care even if they know. There are a few who are paranoid<br />

about being photographed and certainly I am not going to let the moment pass by making such an<br />

assumption. If someone finds out - as sometime someone always does since not everybody can blend in<br />

like a fly on the wall - and expresses dissent, I shall respect that. Although, in some situations I have also<br />

asked permission before shooting.<br />

The street is a public place and the photographer has as much right as the artist with a sketch book<br />

making sketches <strong>of</strong> people. The problem is that the barrel <strong>of</strong> the lens pointing at someone could have a<br />

different psychological effect than the brief glances <strong>of</strong> the sketch artist.<br />

Street photography is not about photographing poverty, squalor or misery, it is not about photographing<br />

homeless people on the streets, it can show humorous, funny, sad, joyful etc moments.<br />

If the street photographer is a "mugger" as is suggested in one <strong>of</strong> the previous comments then HCB is<br />

the greatest "mugger" known so far and I would dream about being a "mugger" like him and <strong>of</strong> course<br />

never be able to achieve that dream. A true street photographer's natural instinct is to shoot first and to<br />

worry later.<br />

-- Ananda Chaudhuri, June 27, 2001<br />

> FWIW, the reason Henri Cartier-Bresson doesn't want his image widely<br />

> published is because he wants to be able to photograph people<br />

> anonymously. If everyone knew what he looked like it would give new<br />

> meaning to the phrase "celebrity photographer."<br />

Cartier Bresson is 92 years old. AFAIK, he hasn't been taking pictures for quite a few years, dedicated<br />

http://www.photo.net/photo/street-photography (15 <strong>of</strong> 31)7/3/2005 2:18:44 AM

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