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Tripods<br />

On average, how high are people's cameras <strong>of</strong>f the ground when using a tripod? In<br />

most cases probably at eye level, sometimes minus a foot or two, rarely higher. The<br />

camera is perched atop <strong>of</strong> the apex formed by the tripod legs. As I started doing<br />

more close-up work in the field, I found that I had need to go lower, <strong>of</strong>ten to within<br />

inches <strong>of</strong> the ground.<br />

The basic paradigm <strong>of</strong> the tripod makes it difficult to go low. I've tried using<br />

tripods with inverting center columns (e.g., the 3021), but found it was a hassle<br />

turning things over, especially with a camera attached. I tried using a Super Clamp<br />

with a ballhead attached to a tripod leg (an idea I got out <strong>of</strong> a George Lepp book).<br />

The problem with that arrangement is that there is always a little play in the Super<br />

Clamp because <strong>of</strong> the rubber pads lining the jaws. Also, making fine adjustments in<br />

position is a hassle since up/down travel follows the angle <strong>of</strong> the tripod leg, and<br />

lateral motion means swinging the Super Clamp assembly in a circle or moving the<br />

entire tripod/Clamp assembly sideways.<br />

The solution I have been using to get those low down macro shots is a Benbo 2<br />

with a ballhead. It allows me to quickly get down to snake-belly levels. Using the<br />

Benbo is a bit different than a standard tripod. When you loosen the legs,<br />

everything goes floppy. This is a bit disconcerting initially if you think in the tripod<br />

paradigm. (The first time you loosen a Benbo you'll quickly learn you need to hang<br />

onto the tripod head, particularly if you've got a camera attached.) This floppiness<br />

is actually an advantage when you need to position a camera quickly. Loosen the<br />

ballhead (friction on for some control). Loosen the legs, then ignore them (best you<br />

can) as you position the camera for the best composition. Tighten the bent bolt and<br />

ballhead; your camera is exactly where you need it. (In contrast, with a standard<br />

tripod I have sometimes found myself picking compositions based on how<br />

convenient the tripod setup is. Laziness.)<br />

There are some downsides to the Benbo. With the ballhead it weighs about 9<br />

pounds. It's a bit too long to strap to a backpack. On hard surfaces there are two<br />

problems: 1) the rubber feet are a bit too bouncy; 2) the Benbo is actually fairly<br />

stiff, so vibrations need to have time to damp out. The solution to both is to simply<br />

hang your camera bag on the bent bolt handle. The "center column" is about three<br />

feet long. Extending the column at normal heights creates two problems: 1) it's very<br />

easy to move the center <strong>of</strong> gravity to a precarious spot; 2) hanging three pounds <strong>of</strong><br />

camera on the end <strong>of</strong> a three foot stick makes for an unstable setup. I do find the<br />

long column useful in low down situations where I can use my camera bag like a<br />

bean bag to support the column.<br />

Quirky as this beast is, I have found the Benbo to be liberating.<br />

http://www.photo.net/equipment/tripods/philg (36 <strong>of</strong> 53)7/3/2005 2:21:13 AM

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