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Light<br />

-- Michael Chick, January 13, 2000<br />

Regarding using flash with P&S cameras, here's a little trick I do. I take a light-activated slave trigger,<br />

one with 180 degree coverage, and attach it the the shoe <strong>of</strong> an inexpensive tilt-head flash. Then, when I<br />

take a flash picture, I hold the flash and trigger at about arms length overhead and slightly forward <strong>of</strong> the<br />

camera and tilt the head to either fire down onto the subject or fire up at the ceiling. In an advanced<br />

P&S, the light sensor doubles as the flash sensor and adjusts exposure. Thus automatically compensating<br />

for the additional light.<br />

I and a friend <strong>of</strong> mine have used this trick with our Elph Jr's. Works out very nicely. However, if you're<br />

in an area where a lot <strong>of</strong> other people are using flashes, don't turn the bounce flash on until needed. Also,<br />

a trigger with a narrower field <strong>of</strong> view would also help here.<br />

BTW, I also use and love Lumiquest's Pocket Bouncer. While it is a little ungainly, it completely avoids<br />

problems with color casts from bouncing <strong>of</strong>f a non-white ceiling and can give the same room filling<br />

effect as the Sto-Fen OmniBounce. With the Sto-Fen, color casts from the ceiling can still be a problem.<br />

Conrad Weiser<br />

-- Conrad Weiser, April 27, 2000<br />

Much as I like David Hartman's idea <strong>of</strong> pointing the flash up with an index card to send some fill light<br />

forward, I don't have to do it - being the proud owner <strong>of</strong> a Nikon SB16 which has a small secondary<br />

light that fires directly forward whether I want it to or not.<br />

Great. That means I can use my whole packet <strong>of</strong> index cards, plus some Blu-tack and a handy pocket<br />

stepladder, to ensure a reliable supply <strong>of</strong> white ceilings!<br />

-- Alan Little, May 16, 2000<br />

I myself hate using the flash unless I really need it. I think studio photographs are too artificial unless<br />

there is a creative aspect to them.<br />

I want to capture images as they appear in real life. People have shadows under their eyes in real life. I<br />

don't think that's necessarily a bad thing.<br />

But thanks for the tips on diffusers... I'm going to try it.<br />

-- N. David Guarneri, July 12, 2000<br />

A Flash Accessory No Photographer Should Ever Be Without!<br />

http://www.photo.net/making-photographs/light (17 <strong>of</strong> 22)7/3/2005 2:22:38 AM

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