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Street Photography<br />

Volume, Volume, Volume<br />

note the black dog in the corner<br />

note the photographer in the upper right corner<br />

I'm not even sure what to say about this, but I can guarantee you<br />

that the scene (Venice Beach, from my California series) didn't<br />

seem quite this varied in real life.<br />

Garry Winogrand is famous for having exposed three rolls <strong>of</strong> Tri-X on the streets <strong>of</strong> New York City<br />

every day for his entire adult life. That's 100 pictures a day, 36,500 a year, a million every 30 years.<br />

Winogrand died in 1984 leaving more than 2500 rolls <strong>of</strong> film exposed but undeveloped, 6500 rolls<br />

developed but not pro<strong>of</strong>ed, and 3000 rolls pro<strong>of</strong>ed but not examined (a total <strong>of</strong> a third <strong>of</strong> a million<br />

unedited exposures).<br />

This is the kind <strong>of</strong> dedication that you need to bring to a street photography project if you hope to<br />

achieve greatness.<br />

Technique<br />

The classic technique for street photography consists <strong>of</strong> fitting a wide (20mm) or moderately wide-angle<br />

(35mm) lens to a camera, loading high-speed film (ISO 400), and pre-focusing the lens. Pre-focusing?<br />

How do you know how far away your subject will be. It turns out that it doesn't really matter. Wide<br />

http://www.photo.net/photo/street-photography (2 <strong>of</strong> 31)7/3/2005 2:18:44 AM

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