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Tips for Using a Point & Shoot Camera<br />

Where this pays huge dividends is in family shots. You simply cannot compose great<br />

shots <strong>of</strong> kids. You have to take them when and where they happen.<br />

P&S is great for that in that your grab camera, set up and shoot time is minimal. Digital<br />

is great because you can point and shoot and not cry over the waste when the kid<br />

suddenly runs out <strong>of</strong> frame between the press and the click.<br />

Besides, do you really want that hugely expensive SLR anywhere near mud coated, sugar<br />

encrusted, water flinging, tantrum throwing littles?<br />

Even just for pure experimentation, the digital is fun.<br />

-- John Carter, April 20, 2001<br />

I have mainly taken pictures with point-shoot cameras (whether using 35mm, APS or<br />

digital; and whether equipped with a zoom lens or not) and I find that you cannot just<br />

"point and shoot" your pictures. When I take pictures with these cameras, I make each<br />

shot a four-stage shot. First I make a "rough composotion" <strong>of</strong> what I want to capture.<br />

This is when I would operate the zoom control and, if using an APS camera or other<br />

"multi-aspect-ratio" camera, decide what aspect ratio suits the image I want to capture.<br />

Then I make sure that one <strong>of</strong> the key features is in the centre <strong>of</strong> the viewfinder. At this<br />

point, I then press the shutter release halfway and make sure that the "ready" lamp glows.<br />

Then I revert back to my original composition to finally take the picture.<br />

Some people think that using anything other than an SLR with total manual control<br />

<strong>of</strong>fends creativity and "proper technique". But these compact cameras encourage users to<br />

concentrate on what they are to photograph, rather than spending time fiddling with the<br />

camera.<br />

There was also a time when I attended a wedding and took plenty <strong>of</strong> pictures with my<br />

Canon SureShot Zoom S compact camera. One <strong>of</strong> the shots that I thought about setting<br />

up was one <strong>of</strong> the bride about to climb into the wedding car (a mid-1970s Jaguar)after<br />

the ceremony. The pr<strong>of</strong>essional photographer who was hired for this job didn't think<br />

about this as a possible wedding shot. But I organized the shot and he and I took it on our<br />

equipment. Later on, after the big day, I had the negatives from the wedding scanned to<br />

Photo CD and showed what I took <strong>of</strong> the wedding to the bride and I didn't realise that she<br />

was totally dissatisfied with the pictures taken by the pr<strong>of</strong>essional photographer. She<br />

realised that I had some <strong>of</strong> the best pictures and I organised reprints <strong>of</strong> those pictures.<br />

Another good example was the one that I took <strong>of</strong> the "giving away the bride" procession<br />

with her with her father. She preferred my shot over the "<strong>of</strong>ficial" shot; and I printed this<br />

shot <strong>of</strong>f the Photo CD master using my computer and printer.<br />

http://www.photo.net/learn/point-and-shoot-tips (31 <strong>of</strong> 35) [5/15/2002 7:15:46 PM]

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