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Street Photography<br />

-- Jeff Warner, March 8, 2001<br />

Trevor Hare talks about "gaining a bit <strong>of</strong> empathy before shooting your victims", and accuses Phil <strong>of</strong><br />

"hit-and-run" photography. I wonder if he would consider Cartier-Bresson a hit-and-run photographer.<br />

HCB never tried to interact with his subjects or "get to know them". He didn't bother considering<br />

whether they would "like" the way he chose to photograph them. Based on the historical record, I'd say<br />

he pretty much INVENTED Street Photography. HCB devoted most <strong>of</strong> his effort to blending in, like a<br />

"fly on the wall", so he could get pictures <strong>of</strong> people WITHOUT DISTURBING THEM. I think being<br />

inconspicuous and unobtrusive is the most important thing in street photography. You must travel fast<br />

and light: no photo vest, no camera bag, one small camera and a small prime lens or two, no flash. If you<br />

really want to emulate the greats (Cartier-Bresson, Robert Frank, Winogrand, Evans), use a meterless<br />

camera and learn to evaluate the light yourself.<br />

-- Ian Cruikshank, April 5, 2001<br />

I moderate a STREET PHOTOGRAPHY dicussion group where we share photos and ideas with each<br />

other...<br />

http://www.geocities.com/photomoderator<br />

Take a look if interested<br />

-- Dave Ramirez, April 13, 2001<br />

After having HCB recommended to me so many times (I have 2 books <strong>of</strong> his work alongside books <strong>of</strong><br />

numerous others so I am familiar with him) i found this article interesting to read. Yes HCB, himself,<br />

does NOT like having his picture published and is taking legal action against it happening!! What was<br />

good for his 'subjects' is unacceptable to him....<br />

http://www.guardian.co.uk/Archive/Article/0,4273,4135295,00.html<br />

I am not going to take too rigid a stance on this but it does point back to my comments, above, about<br />

putting yourself in your 'subjects' shoes and how would you react in their place.<br />

-- Trevor Hare, April 28, 2001<br />

Why exactly street photography must be black-and-white, taken with wide-angle lens close to the<br />

subject? What a religious approach. This page contains great pictures and I specifically like that they are<br />

in color and are DIFFERENT from what I've seen. I am glad that it is not yet another traditional BW<br />

street photo gallery.<br />

http://www.photo.net/photo/street-photography (13 <strong>of</strong> 31)7/3/2005 2:18:44 AM

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