Reader's Comments - Index of - Free

More documents

Recommendations

Info

Exposure Painful Details Point, meter, close 1 stop to move the lava from gray to black, click. From Hawaii. There are some details that can make life painful when setting exposure. As you focus closer to a subject you are moving the lens farther from the film. The lens is throwing the same amount of light in a larger and larger circle of which the film intercepts a smaller and smaller fraction. For small format (35mm) cameras this effect is not significant until you get a macro lens and start taking pictures of things comparable in size to the 24x36mm frame itself. However, if you are taking macro photographs and following the recommendations of a handheld light meter you will find that your pictures are underexposed by 1 or 2 f-stops. The handheld meter, whether reflected or incident, can't know what impediments there are to light reaching the film. The meter manufacturers assume an ideal lens. Your lens may be covered with a fine coating of dust. Your lens's internal elements will not be perfectly transmissive; some light will be lost each time it goes through a piece of glass within your lens. You may have stuck a filter in front of the lens. A good way of sweeping away all of these details is the through-the-lens meter. Necessarily a reflected light meter, the metering cells are placed behind the lens and in front of the film, oftentimes built into the viewing system. These cells see what the film will see and therefore if light is getting blocked for any reason the meter simply sets the exposure as if there were less overall scene illumination. More ● archived Q&A threads on exposure Next chapter: Camera. http://www.photo.net/making-photographs/exposure (12 of 13)7/3/2005 2:22:14 AM
Exposure philg@mit.edu Related Links ● "Ultimate Exposure Computer"- A really useful guide for choosing good exposures from a professional photographer. Worth reading. (contributed by R.J. Fox) ● simcam- I came upon to this site when striving to learn more about exposure....i think its a great site. Check it out but be advise...its great for beginners only. (contributed by Carlo Torres) Add a comment | Add a link © 2000-2005 Luminal Path Corporation and contributors. Contributed content used with permission. About Us | Photo.net FAQ | Subscribe! | Related Sites | Contact Us | Terms of Use | DMCA Agent | Privacy Disaster Recovery | Concert Tickets | Discount Bridesmaid Dresses Sponsor: DigitalAdvisor.com - Excellent reviews of digital cameras http://www.photo.net/making-photographs/exposure (13 of 13)7/3/2005 2:22:14 AM
Page 1 and 2:
photo.net Learn Photography www.pho
Page 3 and 4:
Tips for Using a Point & Shoot Came
Page 5 and 6:
Page 7 and 8:
Page 9 and 10:
Page 11 and 12:
Page 13 and 14:
Page 15 and 16:
Page 17 and 18:
Page 19 and 20:
Page 21 and 22:
Page 23 and 24:
Page 25 and 26:
Page 27 and 28:
Page 29 and 30:
Page 31 and 32:
Page 33 and 34:
Page 35 and 36:
Page 37 and 38:
Page 39 and 40:
Cleaning Cameras Remember that your
Page 41 and 42:
Cleaning Cameras From Samantha ...
Page 43 and 44:
Cleaning Cameras -- M. Huber, Augus
Page 45 and 46:
Cleaning Cameras On a separate note
Page 47 and 48:
Cleaning Cameras with methanol, oth
Page 49 and 50:
Cleaning Cameras A note about the d
Page 51 and 52:
Cleaning Cameras you did the second
Page 53 and 54:
Cleaning Cameras keeps dust and oil
Page 55 and 56:
Cleaning Cameras the lens is cleane
Page 57 and 58:
Where to Get a Camera Fixed Where t
Page 59 and 60:
Where to Get a Camera Fixed Tampa,
Page 61 and 62:
Where to Get a Camera Fixed reverse
Page 63 and 64:
Where to Get a Camera Fixed definit
Page 65 and 66:
Camera and Equipment Insurance Buyi
Page 67 and 68:
Camera and Equipment Insurance woul
Page 69 and 70:
Camera and Equipment Insurance -- J
Page 71 and 72:
Camera and Equipment Insurance For
Page 73 and 74:
Camera and Equipment Insurance all
Page 75 and 76:
Camera and Equipment Insurance I re
Page 77 and 78:
photo.net optics section Home : Lea
Page 79 and 80:
Guide to Framing Guide to Framing H
Page 81 and 82:
Guide to Editing Guide to Editing H
Page 83 and 84:
Nudes Sign in | Search Gallery Lear
Page 85 and 86:
Nudes I took this in 1981 when I wa
Page 87 and 88:
Nudes Mostly Covered is Usually Bet
Page 89 and 90:
Nudes "Nothing Beats a Wet Beaver"
Page 91 and 92:
Nudes 1. Read Making Photographs, o
Page 93 and 94:
Nudes because people throw the word
Page 95 and 96:
Nudes be so. it was how they were b
Page 97 and 98:
Nudes -- Rich Furman, March 13, 200
Page 99 and 100:
Nudes ● Geogre Losse's Portfolio-
Page 101 and 102:
Nudes ● Digital Art: fine art nud
Page 103 and 104:
Nudes Fine art and stock photos - s
Page 105 and 106:
Macro Photography The effort of set
Page 107 and 108:
Macro Photography Exposure If you f
Page 109 and 110:
Macro Photography In the Canon EOS
Page 111 and 112:
Macro Photography About Us | Photo.
Page 113 and 114:
Photographing Comet Hale-Bopp Proce
Page 115 and 116:
Photographing Comet Hale-Bopp (Thur
Page 117 and 118:
Photographing Comet Hale-Bopp Relat
Page 119 and 120:
Star Streak Tutorial ● Use a trip
Page 121 and 122:
Star Streak Tutorial magnification,
Page 123 and 124:
Star Streak Tutorial and mirror loc
Page 125 and 126:
Star Streak Tutorial slide film. I
Page 127 and 128:
photo.net Pinhole Photography Sign
Page 129 and 130:
Pinhole Photography on image format
Page 131 and 132:
Pinhole Photography of Man; the Cli
Page 133 and 134:
Pinhole Photography the University
Page 135 and 136:
Pinhole Photography way into nuclea
Page 137 and 138:
Pinhole Photography mm film (e.g. b
Page 139 and 140:
Pinhole Photography own pinhole pho
Page 141 and 142:
Pinhole Photography may be held in
Page 143 and 144:
Pinhole Photography A piece of card
Page 145 and 146:
Pinhole Photography Descriptions an
Page 147 and 148:
Pinhole Photography Four, slightly
Page 149 and 150:
Pinhole Photography Larry Fratkin's
Page 151 and 152:
Pinhole Photography 1992. n.p. Dobs
Page 153 and 154:
Pinhole Photography 3 Images and Po
Page 155 and 156:
photo.net ● Classifieds ● Shop
Page 157 and 158:
History of Photography Timeline ●
Page 159 and 160:
History of Photography Timeline How
Page 161 and 162:
photo.net Portrait Photography Sign
Page 163 and 164:
Portrait Photography If you don't h
Page 165 and 166:
Portrait Photography As far as doin
Page 167 and 168:
Portrait Photography Is the 80-200/
Page 169 and 170:
Portrait Photography More pictures
Page 171 and 172:
Portrait Photography Regards Rich J
Page 173 and 174:
Portrait Photography Pretty informa
Page 175 and 176:
Portrait Photography Colin Hastings
Page 177 and 178:
Portrait Photography -- Ans Beaulie
Page 179 and 180:
Portrait Photography Zeiss Sonnar 1
Page 181 and 182:
Portrait Photography I'm not certai
Page 183 and 184:
Portrait Photography -- Malcolm Kan
Page 185 and 186:
Portrait Photography I have a Blad
Page 187 and 188:
Portrait Photography 50mm wide open
Page 189 and 190:
Portrait Photography First Smile- E
Page 191 and 192:
Portrait Photography me rather than
Page 193 and 194:
Portrait Photography Grandmother an
Page 195 and 196:
Portrait Photography Dickson) ● T
Page 197 and 198:
Portrait Photography Add a link ©
Page 199 and 200:
Spectral Selectivity making use of
Page 201 and 202:
Spectral Selectivity © 2000-2005 L
Page 203 and 204:
Photography of Gardens Include peop
Page 205 and 206:
Photography of Gardens Here is an e
Page 207 and 208:
Photography of Gardens Check for un
Page 209 and 210:
Photography of Gardens Don't neglec
Page 211 and 212:
Photography of Gardens If you can't
Page 213 and 214:
Photography of Gardens http://www.p
Page 215 and 216:
photo.net ● Classifieds ● Shop
Page 217 and 218:
Photography of Architecture (Exteri
Page 219 and 220:
Page 221 and 222:
Page 223 and 224:
Page 225 and 226:
Page 227 and 228:
Page 229 and 230:
Page 231 and 232:
Page 233 and 234:
Page 235 and 236:
Page 237 and 238:
Page 239 and 240:
Photography of Architecture (Interi
Page 241 and 242:
Page 243 and 244:
Page 245 and 246:
Page 247 and 248:
Page 249 and 250:
Page 251 and 252:
Page 253 and 254:
Photographing Ruins The wide shots
Page 255 and 256:
Photographing Ruins Examine some of
Page 257 and 258:
Photographing Ruins Look at differe
Page 259 and 260:
Photographing Ruins It is a good id
Page 261 and 262:
Photographing Ruins Film choice is
Page 263 and 264:
Photographing Ruins The 5 shots her
Page 265 and 266:
Photographing Ruins The details can
Page 267 and 268:
Photographing Ruins In conclusion,
Page 269 and 270:
Photographing Ruins any use of tele
Page 271 and 272:
photo.net Studio Photography Sign I
Page 273 and 274:
Studio Photography take your subjec
Page 275 and 276:
Studio Photography In powerpack/hea
Page 277 and 278:
Studio Photography absorber in a pl
Page 279 and 280:
Studio Photography against a wall.
Page 281 and 282:
Studio Photography narrower the ang
Page 283 and 284:
Studio Photography catch my drift?
Page 285 and 286:
Studio Photography you shoot and yo
Page 287 and 288:
Studio Photography ● Reflectors,
Page 289 and 290:
Underwater Photography Primer Snork
Page 291 and 292:
Underwater Photography Primer Strap
Page 293 and 294:
Underwater Photography Primer Nikon
Page 295 and 296:
Underwater Photography Primer To my
Page 297 and 298:
Underwater Photography Primer Most
Page 299 and 300:
Underwater Photography Primer As fo
Page 301 and 302:
Underwater Photography Primer UW-PH
Page 303 and 304:
Underwater Photography Primer every
Page 305 and 306:
Underwater Photography Primer refle
Page 307 and 308:
Underwater Photography Primer from
Page 309 and 310:
Underwater Photography Primer ● L
Page 311 and 312:
photo.net Sports Photography -- Cap
Page 313 and 314:
Sports Photography -- Capturing the
Page 315 and 316:
Page 317 and 318:
Page 319 and 320:
Page 321 and 322:
Page 323 and 324:
Page 325 and 326:
Page 327 and 328:
Page 329 and 330:
Page 331 and 332:
Page 333 and 334:
Concert Photography, A Tutorial for
Page 335 and 336:
Street Photography Volume, Volume,
Page 337 and 338:
Street Photography Whether you go m
Page 339 and 340:
Street Photography and Israel (Irel
Page 341 and 342:
Street Photography It would have be
Page 343 and 344:
Street Photography "desaturating" a
Page 345 and 346:
Street Photography -- Efrain Sain,
Page 347 and 348:
Street Photography -- Mikhail Arkhi
Page 349 and 350:
Street Photography instead to paint
Page 351 and 352:
Street Photography photographer to
Page 353 and 354:
Street Photography THANK YOU PHIL :
Page 355 and 356:
Street Photography that anyone in a
Page 357 and 358:
Street Photography encouraging. I g
Page 359 and 360:
Street Photography Street from Prag
Page 361 and 362:
Street Photography moment of public
Page 363 and 364:
Street Photography ● kijkgat - st
Page 365 and 366:
photo.net photo.net nature forum Si
Page 367 and 368:
photo.net nature forum ● Effects
Page 369 and 370:
photo.net Choosing a Computer Syste
Page 371 and 372:
Choosing a Computer System for Digi
Page 373 and 374:
Page 375 and 376:
Page 377 and 378:
Page 379 and 380:
Page 381 and 382:
Page 383 and 384:
Page 385 and 386:
Page 387 and 388:
Page 389 and 390:
Page 391 and 392:
Page 393 and 394:
Page 395 and 396:
Page 397 and 398:
Page 399 and 400:
Page 401 and 402:
Page 403 and 404:
Evaluating Photos Your pictures wil
Page 405 and 406:
Evaluating Photos I liked the Schne
Page 407 and 408:
Evaluating Photos eyepiece), and co
Page 409 and 410:
Evaluating Photos advice (as well a
Page 411 and 412:
Evaluating Photos -- Huyen Seow, Ja
Page 413 and 414:
Evaluating Photos saved $185! The S
Page 415 and 416:
Evaluating Photos is adequate. Keep
Page 417 and 418:
Evaluating Photos I've had a Peak A
Page 419 and 420:
Welcome to arsdigita.com arsdigita.
Page 421 and 422:
photo.net Interview: Elsa Dorfman I
Page 423 and 424:
photo.net Interview: Elsa Dorfman w
Page 425 and 426:
photo.net photo.net Interview: Davi
Page 427 and 428:
photo.net Interview: David Julian M
Page 429 and 430:
photo.net Interview: David Julian s
Page 431 and 432:
photo.net photo.net Equipment Artic
Page 433 and 434:
photo.net photo.net Equipment Artic
Page 435 and 436:
photo.net Equipment Articles Cord 2
Page 437 and 438:
Page 439 and 440:
Page 441 and 442:
Page 443 and 444:
Page 445 and 446:
Page 447 and 448:
Page 449 and 450:
Page 451 and 452:
Page 453 and 454:
Page 455 and 456:
Page 457 and 458:
photo.net Color Printers Sign In/Re
Page 459 and 460:
Color Printers If you want to try F
Page 461 and 462:
Color Printers Today I visited Samm
Page 463 and 464:
Color Printers I don't agree with I
Page 465 and 466:
Color Printers And remember, no mat
Page 467 and 468:
Color Printers scan and print photo
Page 469 and 470:
Color Printers This is a correction
Page 471 and 472:
Color Printers stable results -- pa
Page 473 and 474:
Color Printers work (we're between
Page 475 and 476:
Color Printers especially if we're
Page 477 and 478:
Color Printers images to digitize.
Page 479 and 480:
Color Printers color-intensive orig
Page 481 and 482:
Color Printers bigger effect on the
Page 483 and 484:
Color Printers I'd also love it if
Page 485 and 486:
Color Printers model, 3 colors plus
Page 487 and 488:
Color Printers I agree with you tha
Page 489 and 490:
Color Printers Hi I have bought an
Page 491 and 492:
Color Printers continuing to send m
Page 493 and 494:
photo.net Tripods and Tripod Heads
Page 495 and 496:
Tripods and Tripod Heads http://www
Page 497 and 498:
Tripods and Tripod Heads Top photo
Page 499 and 500:
Tripods Two companies make the vast
Page 501 and 502:
Tripods Of the ballheads that I've
Page 503 and 504:
Tripods I used to be a Bogen hex pl
Page 505 and 506:
Tripods you intended. In any event,
Page 507 and 508:
Tripods black anodized legs for $13
Page 509 and 510:
Tripods I'm using the Bogen/Manfrot
Page 511 and 512:
Tripods B&H sells the tripod for $4
Page 513 and 514:
Tripods very satisfied. I compared
Page 515 and 516:
Tripods In operation the head is ve
Page 517 and 518:
Tripods treks whenever I could. I t
Page 519 and 520:
Tripods you are into nature photogr
Page 521 and 522:
Tripods I recently bought a Gitzo G
Page 523 and 524:
Tripods However, I've not bought on
Page 525 and 526:
Tripods Anyone on a budget might ta
Page 527 and 528:
Tripods used, everything that has b
Page 529 and 530:
Tripods -- Michael Rivera, December
Page 531 and 532:
Tripods want to meet my needs. -- A
Page 533 and 534:
Tripods On average, how high are pe
Page 535 and 536:
Tripods for me (6'3"). You can remo
Page 537 and 538:
Tripods because of shake in the leg
Page 539 and 540:
Tripods people really over-tighteni
Page 541 and 542:
Tripods "A good photo may make the
Page 543 and 544:
Tripods tripods. It is a crime! I'm
Page 545 and 546:
Tripods That said, both the 3021PRO
Page 547 and 548: Tripods sleeves make the top one th
Page 549 and 550: Tripods review of the Arca-Swiss B1
Page 551 and 552: photo.net Tripods -- Cheap and Comp
Page 553 and 554: Tripods -- Cheap and Compact Text a
Page 555 and 556: Tripods -- Cheap and Compact Bogen
Page 557 and 558: Tripods -- Cheap and Compact Bottom
Page 559 and 560: Tripods -- Cheap and Compact Paul H
Page 561 and 562: Tripods -- Cheap and Compact Just g
Page 563 and 564: Tripods -- Cheap and Compact The Pe
Page 565 and 566: Tripods -- Cheap and Compact -- Joh
Page 567 and 568: Filters - UV or not UV? Promaster,
Page 569 and 570: Filters - UV or not UV? Perhaps a m
Page 571 and 572: Filters - UV or not UV? This last p
Page 573 and 574: Filters - UV or not UV? many of the
Page 575 and 576: Filters - UV or not UV? -- Emil Sol
Page 577 and 578: Filters - UV or not UV? On the subj
Page 579 and 580: Lens Suppose that you wish to flatt
Page 581 and 582: Lens A "normal" or "standard" lens
Page 583 and 584: Lens A teleconverter is a small lig
Page 585 and 586: Lens Phil has given a very nice sum
Page 587 and 588: photo.net Exposure Sign In/Register
Page 589 and 590: Exposure Notice that only the birds
Page 591 and 592: Exposure after the mirror flips up,
Page 593 and 594: Exposure http://www.photo.net/makin
Page 595 and 596: Exposure Lighting Conditions Bright
Page 597: Exposure http://www.photo.net/makin
Page 601 and 602: Camera with an 8 x 10 view camera,
Page 603 and 604: Camera Single lens reflex (SLR) A s
Page 605 and 606: Camera $3000 and sold to collectors
Page 607 and 608: Camera 120 roll-film camera. It cap
Page 609 and 610: photo.net Light Sign In/Register
Page 611 and 612: Light Landscape in Sunlight my cous
Page 613 and 614: Light Overcast Skylight A high over
Page 615 and 616: Light There is no reason to put the
Page 617 and 618: Light D"). If you are using color n
Page 619 and 620: Light about one-quarter of the ligh
Page 621 and 622: Light ● archived Q&A threads on l
Page 623 and 624: Light Abound using electronic flash
Page 625 and 626: Light -- Michael Chick, January 13,
Page 627 and 628: Light -- John Travassos, January 24
Page 629 and 630: Light My daughter and a donkey in s
Page 631 and 632: photo.net Making Photographs Sign I
Page 633 and 634: photo.net Dead Trees Sign In/Regist
Page 635 and 636: Dead Trees collections ● if you'r
Page 637 and 638: Dead Trees ● Photograph America,
Page 639 and 640: Dead Trees photographed -- a novel
Page 641 and 642: Dead Trees - Lisl Dennis, 1989, "Th
Page 643 and 644: Dead Trees decided to make a book,
Page 645 and 646: Dead Trees (technical notes, hints
Page 647 and 648: Dead Trees -- Mani Sitaraman, Novem
Page 649 and 650:
Dead Trees there. When we keep subs
Page 651 and 652:
Dead Trees what to consider when pu
Page 653 and 654:
How Shift Lenses Change your Life H
Page 655 and 656:
How Shift Lenses Change your Life S
Page 657 and 658:
How Shift Lenses Change your Life p
Page 659 and 660:
How Shift Lenses Change your Life I
Page 661 and 662:
How Shift Lenses Change your Life I
Page 663 and 664:
Recommended Labs to check and doubl
Page 665 and 666:
Recommended Labs FinePrint also wil
Page 667 and 668:
Recommended Labs jet print on water
Page 669 and 670:
Recommended Labs If you can't find
Page 671:
Recommended Labs -- Mike Siesel, Fe
show all

Reader's Comments - Index of - Free

Create successful ePaper yourself

Delete template?

Save as template?