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Dead Trees And yes I'de luv to subscribe to Practical Photography but at over $150 AUD a year I can't really justify it right now :-) -- Nathanael Boehm, April 11, 2002 I wanted to add my recommendation for Jack Dykinga's book, "Large Format Nature Photography". -- Doug Dolde, May 10, 2002 I'd like to differ regarding Philip's comments regarding Popular Photography magazine. He states that its 'probably worth' $10/year. On principle, I refuse to spend 1 penny on a magazine that contains ads from many unscrupulous vendors, most of them endorsed by the magazine's 'consumer protection' program. Instead, when I happen to be at my local public library, I spend a few minutes reviewing back issues http://www.photo.net/books/ (16 of 20)7/3/2005 2:23:26 AM
Dead Trees there. When we keep subsidizing the magazine, there is no reason for them to change. -- Reuven K, June 1, 2002 I previously recommended the UK title Camera & Darkroom (formerly Darkroom User)magazine on this page. This is sadly no longer published. Another title, that concentrates more on photographs and less on equipment is Black and White Photography. It is available outside the UK by subscription and through Barnes & Noble. It also features Michael Johnston among its columnists. Read what he has to say about it in his column from November 2002, titled On Photography magazines. -- Simon Evans, March 11, 2003 I'd like to say that while magazines are a nice weekly boost to enthusiasm, they contain, generally speaking, a lot of calendar art pictorialism and not a lot of genuinely good photography. Books may be more expensive in the short term, but a few good volumes on technique will teach you all you need to know about the mechanics of photography without recourse to the simplistic (and often repeated) advice in magazines. Similarly, studying the works of the masters will enlighten and inform your photography more than a sub-editor's critique of readers' submissions. Also, if you can build up a collection of good books then you will be taking in a wider, and likely unique, field of influences as opposed to being one of 200,000+ readers of a popular magazine which, by definition, has to appeal to a narrower, more general taste. As others have pointed out here, many of the magazines are little more than catalogues for the photography equipment industry anyway. -- Gregor MacEwan, March 28, 2003 For phototography books, there are none more essential than the latest edition of the Ansel Adams series (1980s). Book 1 on cameras and Book II, The Negative (which might instead be entitled Exposure) are basic to the understanding of photography, film or digital. As to The Negative, when using color film, think of controlling scene brightness range by placing your shadow to highlight readings in Zones III to VII, and development being a constant. Manipulation of the brightness range through over or underdevelopment as discussed in The Negative, doesn't apply. Thus, understanding the Zone System is all the easier for color photographers. Learn how to read overall scene brightness range and see what portion of that scene will fit into the ability of the film to capture the III to VII range. -- CPeter Jørgensen, January 13, 2005 For fans of analog or older processes, or even a history of these, I highly recommend William Crawford's The Keepers of Light: A History and Working Guide to Early Photographic Processes. Also, for identifying older print processes, there's James M. Reilly's Care and Identification of 19th-Century Photographic Prints. I think these may both be out of print; I know the Reilly is, but worth looking for. http://www.photo.net/books/ (17 of 20)7/3/2005 2:23:26 AM
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Camera and Equipment Insurance For
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Camera and Equipment Insurance all
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Guide to Framing Guide to Framing H
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Macro Photography About Us | Photo.
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Pinhole Photography A piece of card
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Portrait Photography Zeiss Sonnar 1
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Portrait Photography First Smile- E
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Spectral Selectivity making use of
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photo.net Studio Photography Sign I
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Underwater Photography Primer Snork
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Color Printers continuing to send m
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photo.net Tripods and Tripod Heads
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Lens Phil has given a very nice sum
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photo.net Exposure Sign In/Register
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Page 601 and 602: Camera with an 8 x 10 view camera,
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Page 609 and 610: photo.net Light Sign In/Register
Page 611 and 612: Light Landscape in Sunlight my cous
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Page 615 and 616: Light There is no reason to put the
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Page 619 and 620: Light about one-quarter of the ligh
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Page 623 and 624: Light Abound using electronic flash
Page 625 and 626: Light -- Michael Chick, January 13,
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Page 631 and 632: photo.net Making Photographs Sign I
Page 633 and 634: photo.net Dead Trees Sign In/Regist
Page 635 and 636: Dead Trees collections ● if you'r
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Page 639 and 640: Dead Trees photographed -- a novel
Page 641 and 642: Dead Trees - Lisl Dennis, 1989, "Th
Page 643 and 644: Dead Trees decided to make a book,
Page 645 and 646: Dead Trees (technical notes, hints
Page 647: Dead Trees -- Mani Sitaraman, Novem
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Page 653 and 654: How Shift Lenses Change your Life H
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Page 663 and 664: Recommended Labs to check and doubl
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Page 667 and 668: Recommended Labs jet print on water
Page 669 and 670: Recommended Labs If you can't find
Page 671: Recommended Labs -- Mike Siesel, Fe
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