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Street Photography angle lenses have good depth of field. If your subject is 10 feet away and the lens is set for 12 feet, you'd probably need to enlarge to 20x30" before noticing the error (assuming a typical aperture). This is why the high-speed film is important. Given a fixed shutter speed, the faster the film the smaller the aperture. The smaller the aperture, the less critical it is to focus precisely. The extreme case of this is a pinhole camera, for which there is no need to focus at all. Street photographers traditionally will set the lens at its hyperfocal distance. This distance depends on the lens focal length and the aperture but the basic idea is that it is the closest distance setting for which subjects at infinity are still acceptably sharp. With fast film and a sunny day, you will probably be able to expose at f/16. With a 35mm lens focussed to, say, 9 feet, subjects between 4.5 feet and infinity will be acceptably sharp (where "acceptable" means "if the person viewing the final photograph doesn't stick his eyes right up against it"). A modern alternative is to use a camera with a very high-performance autofocus system and a zoom lens. The Canon EOS bodies coupled with the instant-focusing ring ultrasonic motor Canon lenses (about half of the EOS lenses use these motors) are an example of what can work. Paradoxically I find that I was able to work as quickly and get as high a yield of good images (these are from Guatemala) with the Mamiya 7 rangefinder camera: http://www.photo.net/photo/street-photography (3 of 31)7/3/2005 2:18:44 AM
Street Photography Whether you go modern or traditional, many of your pictures will be ruined due to poor focus, subject motion, hasty composition, etc. So don't feel bad if you only get one great picture out of 1000. If you're using a digital camera, you won't even have to lose sleep over how much film and processing you're wasting. Gallery Miami, 1995, part of my Costa Rica story Canon EOS-5, 35-350 lens, program autoexposure, Fuji Super G + ISO 400 neg film This photo illustrates the advantages of the Canon 35-350L lens (a $2000 photojournalist's toy). I took it from the passenger seat of a car stopped at a red light. The rain lead to highly saturated colors. Canon EOS AF http://www.photo.net/photo/street-photography (4 of 31)7/3/2005 2:18:44 AM
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