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Research in Engineering Education Symposium 2011 - rees2009

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Universidad Politécnica de Madrid (UPM) Pág<strong>in</strong>a 844 de 957<br />

Figure 3. Structural design process accord<strong>in</strong>g to Frank Newby. (Addis, 2001).<br />

On the other hand, Edmund Happold’s design process is presented as an alternative to the<br />

traditional cyclical system, which establishes a series of phases (analysis, synthesis,<br />

evaluation and communication) which are repeated <strong>in</strong> the different stages of the process,<br />

delv<strong>in</strong>g deeper <strong>in</strong>to the def<strong>in</strong>ition of the project <strong>in</strong> each cycle (Happold, 1976). However,<br />

Happold proposes a step by step system, which he calls “convergent”, and which consists<br />

of successive four stages, mean<strong>in</strong>g that each stage is not reached until all the objectives of<br />

the previous stage have been met, which is checked us<strong>in</strong>g a system known as Merit<br />

Control, a cont<strong>in</strong>uous control mechanism, look<strong>in</strong>g ahead to possible future requirements<br />

or developments, and look<strong>in</strong>g back at the objectives (Figure 4). A significant example of<br />

this method is the roof structure for the Manheim exhibition hall, by Frei Otto and Ove<br />

Arup & Partners.<br />

Figure 4. Structural design process accord<strong>in</strong>g to Edmund Happold. (Happold, 1976).<br />

This process is not contrary to the four stages of the creative process, although it presents<br />

some issues which may differ from other creative processes and methods and which are<br />

fundamental <strong>in</strong> the case of structural design, and must therefore be taken <strong>in</strong>to<br />

consideration <strong>in</strong> this context.<br />

Firstly, it stresses the fact that, contrary to what tends to occur <strong>in</strong> artistic processes and<br />

certa<strong>in</strong> scientific research processes, the project for a structure does not depend on, and is<br />

not controlled by a s<strong>in</strong>gle person, but is a jo<strong>in</strong>t activity closely connected to the role of the<br />

architect, the client and the contractor.<br />

Proceed<strong>in</strong>gs of <strong>Research</strong> <strong>in</strong> Eng<strong>in</strong>eer<strong>in</strong>g <strong>Education</strong> <strong>Symposium</strong> <strong>2011</strong><br />

Madrid, 4 th - 7 th October <strong>2011</strong>

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