Caractérisation objective de la qualité de justesse, de timbre et d ...
Caractérisation objective de la qualité de justesse, de timbre et d ...
Caractérisation objective de la qualité de justesse, de timbre et d ...
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Bibliographie___________________________________________________________________________ELLIOTT S.J., BOWSHER J.M. (1982) "Regeneration in brass wind instruments", J. SoundVib. 83, 181-217.FLETCHER N.H. (1978) "Mo<strong>de</strong> locking in nonlinearly excited inharmonic musicaloscil<strong>la</strong>tors", J. Acoust. Soc. Am. 64, 1566-1569.FLETCHER N.H. (1979) "Air flow and sound generation in musical wind instruments", Ann.Rev. Fluid. Mech. 11, 123-146.FLETCHER N.H. (1979) "Excitation mechanisms in woodwind and brass instruments",Acustica 43, 63-72.FLETCHER N.H. (1990) "Nonlinear theory of musical wind instruments", Applied Acoustics30, 85-115.FLETCHER N.H., ROSSING T.D. (1990) "The physics of musical instruments", Springer-Ver<strong>la</strong>g, New York.FLETCHER N.H. (1993) "Autonomous vibration of simple pressure-controled valves in gasflows", J. Acoust. Soc. Am. 93, 2172-2180.GAUTIER F. (1994) " Influence <strong>de</strong>s vibrations <strong>de</strong> parois sur les fréquences <strong>de</strong> résonance d' untube cylindrique", rapport <strong>de</strong> D.E.A., Université Pierre <strong>et</strong> Marie CURIE (Paris 6), Paris.GAZENGEL B., GILBERT J. (1994a) "Simu<strong>la</strong>tions numériques dans les domaines temporels<strong>et</strong> fréquentiels. Etu<strong>de</strong> comparative, application aux instruments à vent à anche simple", 3ièmeCongrés Français d' Acoustique, Toulouse, Suppl. J. Physique III, 4, C5, 577-580.GAZENGEL B, GILBERT J., AMIR N., (1994b) "Time domain simu<strong>la</strong>tion of single reedwind instrument. From the input impedance to the synthesis signal. Where are the traps?",soumis à Acta Acustica.GERADIN M., RIXEN D., (1992) "Théorie <strong>de</strong>s vibrations (application à <strong>la</strong> dynamique <strong>de</strong>sstructures)", Masson, Paris.GIBIAT V. (1988) "Phase space representations of musical acoustical signals", J.Sound andVibration 123, 529-536.___________________________________________________________________________Bibliographie-4
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