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The Genre of Trolls - Doria

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in that case it sets the tone <strong>of</strong> the narrative, since the conflict between man<br />

and troll has already been introduced. In a tale <strong>of</strong> the stolen drinking-vessel<br />

the troll abducted a servant girl from a manor every Easter, and although<br />

everyone knew where it was hiding, nobody managed to rescue them. Once<br />

the manservant followed the troll and he was warmly received. <strong>The</strong> abducted<br />

servant girls gave him a drink which he did not imbibe; rather he threw<br />

the beverage away, and it burned the horse’s hide. <strong>The</strong>n he stole the cup,<br />

riding home with the irate trolls in pursuit and throwing the loot to his<br />

master. <strong>The</strong> trolls killed him and the horse before he reached the stable,<br />

and proceeded to negotiate with the owner <strong>of</strong> the manor who decided to<br />

keep the cup for himself. <strong>The</strong>ir request denied, the trolls foretold that the<br />

manor would burn thrice. Now all the maids returned home, but very soon<br />

after that, the manor was ablaze (SLS 226: 150–151). It is interesting to note<br />

that the manservant abandons the girls he has explicitly come to liberate as<br />

soon as he gets his hands on the valuable cup. Material gain overrides romantic<br />

heroism, and this might be the reason why such a gruesome end is<br />

accorded him. <strong>The</strong> rescue motif, as Inger Lövkrona calls it in her dissertation<br />

Det bortrövade dryckeskärlet (‘<strong>The</strong> Stolen Drinking Vessel’), occurs in<br />

some variants from Jutland, Denmark and Halland, Sweden (Lövkrona<br />

1982: 98–99), but the rescue is actually completed in those texts. Here it is<br />

more <strong>of</strong> a pretext for robbing the trolls.<br />

<strong>The</strong> trolls might abduct humans for more sinister purposes too. Some<br />

trolls have a taste for human flesh, and a very obese man called Smöbuk<br />

(Butterbelly) is repeatedly being taken by the troll to furnish the main ingredient<br />

for its festive soup. Butterbelly manages to escape twice, but the<br />

third time he is to be slaughtered by the troll’s daughter (in the Swedish<br />

original, sm. is a contraction <strong>of</strong> smöbuk, tr. <strong>of</strong> trulli):<br />

nu va an glad å sku hav fremmand. så leng an sku va bårt åsta bjud sku trullis dåutrun<br />

slakt sm., men un kunna int. så sku sm. vis inar å la inar pu benktjin. sm. skar huvu åv<br />

inar å kåuka såpun pu in. men tärtil tr. kåm heim, la sm. dåutrus huvu under feldin, så<br />

ansikte ståu åp. sm. öyst åp såpun å laga färdit pu båuli, men jömd se sölv me dören. tr.<br />

kåm heim me fremand set å bjöud dem ti båule tå e va färdit. dåutrun tråud dem lå å<br />

såvd. dem åt duktit å sm. [sic] sat bara å smaka å sa “smöbuks såppa smaka bra” men<br />

smöbuk sat innan-fö dörin o sa “dåutrus såpun smaka bra” tr. vart arg å sku ta livi åv<br />

sm. men sm. tåu ståbban å kasta ihäl truli å tå va e slut me he. (SLS 37, 9: 21–22)<br />

Now he [the troll] was happy and was going to have guests. While he was away giving<br />

invitations, the troll’s daughter would slaughter Butterbelly, but she didn’t know how to<br />

Interaction between the Realms 103

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