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The Genre of Trolls - Doria

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unaware <strong>of</strong> the hardships constituting normal human reality. Up to that<br />

point, they know no misery, and desire entered their life only through the<br />

Temptation <strong>of</strong> Eve. <strong>The</strong>y did not “pine”, nor did they remember any previous<br />

existence, for rather obvious reasons—they had no previous existence.<br />

As God expels them from the Garden <strong>of</strong> Eden, he says to Adam:<br />

150<br />

8) … förbannad ware marken för din skull, med bekymmer skalt du nära dig på henne i<br />

alla dina lifsdagar. Törne och tistlar skall hon bära dig, och du skalt äta örter på markene.<br />

Du skalt äta ditt bröd i dins anletes swett, till dess du warder åter till jord igen, der<br />

du af tagen äst. (1 Mos. 3: 17–19)<br />

8) … cursed is the ground for thy sake; in sorrow shalt thou eat <strong>of</strong> it all the days <strong>of</strong> thy<br />

life;<br />

Thorns also and thistles shall it bring forth to thee; and thou shalt eat the herb <strong>of</strong> the<br />

field;<br />

In the sweat <strong>of</strong> thy face shalt thou eat bread, till thou return unto the ground; for out <strong>of</strong><br />

it wast thou taken: for dust thou art, and unto dust shalt thou return.<br />

(Genesis 3: 17–19)<br />

<strong>The</strong> herd girl is intimately acquainted with the world depicted in this passage;<br />

it is her everyday existence, eating her bread in the sweat <strong>of</strong> her face,<br />

in sorrow, from all <strong>of</strong> which she finds relief in the realm <strong>of</strong> the troll during<br />

her abduction. Food is supplied without any service in return and she enjoys<br />

a life free <strong>of</strong> concern. She merely has to take care not to bless the food,<br />

since it breaks the illusion <strong>of</strong> good fare. In one respect the first part <strong>of</strong> the<br />

folklore text is a reversal <strong>of</strong> the Fall: the girl goes from want to luxury, from<br />

awareness to oblivion. <strong>The</strong> second part represents a fall from grace in line<br />

with the story <strong>of</strong> the Fall in Genesis, a reversion to the state before the reversal,<br />

so to speak, ending in agreement. Yet the connotations <strong>of</strong> the girl’s<br />

paradisical existence and those <strong>of</strong> the Garden <strong>of</strong> Eden are highly divergent;<br />

the former depends on illusion and is located in a sphere normally construed<br />

as excluded from the blessings <strong>of</strong> Christianity. As the parson releases<br />

the girl from the enchantment by reciting the benediction, she attains<br />

knowledge: “<strong>The</strong>n she saw she was wearing nothing but rags”, in parallel with<br />

the apple from the Tree <strong>of</strong> Knowledge conferring illumination on Adam<br />

and Eve: “And the eyes <strong>of</strong> them both were opened, and they knew that they were<br />

naked”. <strong>The</strong> fundamental significance <strong>of</strong> illumination is a common feature<br />

<strong>of</strong> both Thors’ record and Genesis, implying agreement, yet another reversal<br />

is at work here. Illumination in Genesis was <strong>of</strong> evil, a step away from<br />

Intertextuality as Ideological Critique

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