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The Genre of Trolls - Doria

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<strong>The</strong> theme <strong>of</strong> vanity recurs here, but with a twist (no pun intended). <strong>The</strong><br />

girl, humbled by the humiliation <strong>of</strong> having a snake curled around her neck<br />

wherever she goes, becomes a modest and unpretentious person, implicitly<br />

acknowledging her transgression in the end, like Little Maja did overtly<br />

(texts 4–5). Both narratives agree on the ruinous influence <strong>of</strong> self-conceit,<br />

but the girl from Sordavala seems to repent her sins more wholeheartedly<br />

than Little Maja does. <strong>The</strong> former truly turns into a reformed creature; in<br />

a sense she recovers what Adam and Eve lost. This interpretation is based<br />

on the image <strong>of</strong> the snake: it comes to her and attaches itself quite literally<br />

to her when she has fallen prey to narcissism. Whether it has somehow led<br />

her into temptation, like the snake in the Garden <strong>of</strong> Eden, is not stated,<br />

though it might be tacitly assumed:<br />

152<br />

10) Och ormen war listigare än all djur på jordene, som HERren Gud gjort hade, och<br />

sade til qwinnona: Ja, skulle Gud hafwa sagt, I skolen icke äta af allahanda trä i lustgårdenom?<br />

Då sade qwinnan til ormen: Wi äte af de träs frukt, som är i lustgårdenom;<br />

Men af frukten af det trät, som är midt i lustgårdenom, hafwer Gud sagt: Äter icke deraf,<br />

och kommer icke heller derwid, at I icke dön. Då sade ormen til qwinnona: Ingalunda<br />

skolen I döden dö. Förty Gud wet, at på hwad dag I äten deraf, skola edor ögon öpnas,<br />

och warden såsom Gud, wetandes hwad godt och ondt är. Och qwinnan såg til, at trät<br />

war godt att äta af, och ljufligit uppå se, och at det et lustigt trä war, efter det gaf förstånd;<br />

Och tog utaf fruktene, och åt, och gaf desslikes sinom man deraf, och han åt. (1 Mos.<br />

3: 1–6)<br />

10) NOW the serpent was more subtil than any beast <strong>of</strong> the field which the LORD<br />

God had made. And he said unto the woman, Yea, hath God said, Ye shall not eat <strong>of</strong><br />

every tree <strong>of</strong> the garden?<br />

And the woman said unto the serpent, We may eat <strong>of</strong> the fruit <strong>of</strong> the trees <strong>of</strong> the<br />

garden:<br />

But <strong>of</strong> the fruit <strong>of</strong> the tree which is in the midst <strong>of</strong> the garden, God hath said, Ye shall<br />

not eat <strong>of</strong> it, neither shall ye touch it, lest ye die.<br />

And the serpent said unto the woman, Ye shall not surely die:<br />

For God doth know that in the day ye eat there<strong>of</strong>, then your eyes shall be opened, and ye shall<br />

be as gods, knowing good and evil.<br />

And when the woman saw that the tree was good for food, and that it was pleasant to<br />

the eyes, and a tree to be desired to make one wise, she took <strong>of</strong> the fruit there<strong>of</strong>, and did<br />

eat, and gave also unto her husband with her; and he did eat.<br />

(Genesis 3: 1–6)<br />

<strong>The</strong> serpent is the most subtle <strong>of</strong> the animals God had created, and in the<br />

Intertextuality as Ideological Critique

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