10.04.2013 Views

The Genre of Trolls - Doria

The Genre of Trolls - Doria

The Genre of Trolls - Doria

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

certain nuances to the picture <strong>of</strong> the workings <strong>of</strong> this absorption <strong>of</strong> genres,<br />

emphasizing both the cultural and individual aspects <strong>of</strong> this process. <strong>The</strong><br />

intersubjective, dialogical encounter as an arena for further intertextualization<br />

<strong>of</strong> subjects and for the production <strong>of</strong> knowledge and interpretations is<br />

described as the ground for agency (Blaakilde 1998: 109), since dialogue<br />

cannot be passive; if it is, it degenerates into monologue (cf. Emerson<br />

2000: 229). <strong>The</strong>refore it demands some degree <strong>of</strong> agency to continue.<br />

All scholars presented here have their own conceptions <strong>of</strong> the subject<br />

and subjectivity, but a number <strong>of</strong> common features may be discerned. All<br />

seem to agree on the produced and processual nature <strong>of</strong> the subject, which<br />

is constantly being reassessed and remoulded. Furthermore, subjectivity is<br />

characterized as a relational position, articulated in relation to other people,<br />

objects or phenomena. Subjectivity also creates the point <strong>of</strong> view from<br />

which the individual observes the world; this is especially prominent in<br />

Barthes’s analysis, where the constitution <strong>of</strong> the perspective <strong>of</strong> the author,<br />

Balzac, is determined by the intertextual codes generating his subjectivity<br />

(cf. Björklund 1993: 242; Lövkrona 1996: 160–166).<br />

To summarize my own position vis-à-vis this research history, I will be applying<br />

Julia Kristeva’s conception <strong>of</strong> texts as mosaics <strong>of</strong> quotations, and be<br />

utilizing Lotte Tarkka’s notion <strong>of</strong> metaphor and metonymy to describe the<br />

relationship between texts linked in this fashion. I will also adopt Norman<br />

Fairclough’s concept <strong>of</strong> interdiscursivity to delineate the relationships between<br />

texts on the level <strong>of</strong> discourse, and use Mikhail Bakhtin’s, and<br />

Charles Briggs and Richard Bauman’s insights into the workings <strong>of</strong> genre<br />

in order to examine the effects <strong>of</strong> generic framing on narrative. <strong>The</strong> previous<br />

study most in tune with my own is that <strong>of</strong> Ulrika Wolf-Knuts who<br />

explores the relation between folklore and Biblical stories as well, but my<br />

work will serve to elaborate the implications <strong>of</strong> that relationship and provide<br />

other theoretical tools for investigating them. <strong>The</strong> rest <strong>of</strong> the research<br />

literature has also been important for the development <strong>of</strong> my understanding<br />

<strong>of</strong> intertextuality and <strong>of</strong> how it functions.<br />

Intertextuality in the History <strong>of</strong> Research 41<br />

t

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!