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The Genre of Trolls - Doria

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discourse she is an equally enthralling supernatural being. <strong>The</strong> lady’s possession<br />

<strong>of</strong> a carriage, horses adorned with the most splendid driving tackle<br />

and maid-servants <strong>of</strong> her own further bespeaks her human wealth in one<br />

discourse, while it in the other exposes her otherworldly origin (cf. SLS 31,<br />

146; SLS 137 Sagor I, 1; SLS 280: 132). In descriptions <strong>of</strong> the troll’s demesne<br />

and person, precisely these features are <strong>of</strong>ten emphasized; in the following,<br />

I will examine this theme in some detail, as it has bearing on the subsequent<br />

discussion.<br />

<strong>The</strong> opulence <strong>of</strong> otherworldly dwellings is occasionally hinted at in a<br />

single phrase, which functions as a sêma, a traditional sign <strong>of</strong> the kind<br />

pointing to an emergent reality (Foley 2000: 341) (John Miles Foley considers<br />

sêmata on two levels: on the level <strong>of</strong> the story-pattern on the one<br />

hand, and on the level <strong>of</strong> individual motifs on the other. <strong>The</strong> item quoted<br />

is <strong>of</strong> course a form <strong>of</strong> the latter):<br />

236<br />

4) He va’ ejngang in pojk, som ha rík fyeldrar, o so fåor ’an ti’ skåojin o kom ti’ in vaker<br />

byggning, som va’ in trullstugu. (R II 46)<br />

4) Once there was a boy, who had rich parents, and he went to the forest and came to a<br />

splendid building, which was a troll cottage.<br />

Here the supernatural nature <strong>of</strong> the building is specified, but this is not<br />

always the case. <strong>The</strong> motif will also recur in some <strong>of</strong> the texts soon to be<br />

cited. Alén, however, did not explicitly utilize this sêma, but he employs a<br />

similar setting, a building in the forest. It is possible that the sêma would<br />

have disclosed too much at this early point in the narrative. Another strand<br />

in the web <strong>of</strong> associations is furnished by one <strong>of</strong> Jacob Tegengren’s contributions<br />

to Budkavlen, in which he provides a brief, but vivid depiction <strong>of</strong><br />

the troll’s abode:<br />

5) Omkring 100 meter söderom den nämnda backen [Taipalbacken] finns på östra sidan<br />

av landvägen ett mindre berg – Högklint – som mot vägen stupar brant ned bildar en<br />

vägg, i vilken man säges kunna se spår av en tillsluten dörr. Detta är ingången till trollets<br />

eller rådarens bostad. En och annan, som i mörkret passerat stället, har sett dörren stå<br />

öppen och berget invändigt stråla av ljus och dyrbarheter. För några har trollets bostad tett<br />

sig snarlik en handelsbod med prunkande varor uppradade på hyllor. (Budkavlen 1924: 85)<br />

5) About 100 metres south <strong>of</strong> the aforesaid hill [the Taipal Hill] lies on the eastern side<br />

<strong>of</strong> the main road a minor hill—the High Cliff—which slants steeply toward the road<br />

creating a wall, in which it is said one may see traces <strong>of</strong> a closed door. This is the ent-<br />

<strong>Genre</strong>, Parody, Chronotopes and Novelization: the Wonder Tales <strong>of</strong> Johan Alén

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