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THE GENRE OF TROLLS
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THE GENRE OF TROLLS The Case of a F
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PREFACE I have greatly enjoyed writ
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colleagues to obtain much of my res
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TABLE OF CONTENTS Preface vii 1 Int
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6.4 Novelization 248 6.5 Integratin
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well. Finally, “3.4 Breaking the
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conception of the troll. 1 The obje
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the tension and interplay between t
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are the same as those of the concep
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the practice of changing babies; he
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orientation of the speaker to the r
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and vivid, while the troll in fairy
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Holbek broaches a subject that will
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make a similar, more extended and s
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such as trolls, jötnar and other b
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one other text can be read (Kristev
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vocabulary of intertextual theory,
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forest—which are connected by met
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various formulations of a theme hav
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constitutes an intertextual network
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of them are not even texts, they ma
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Lotte Tarkka implicitly modelled he
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Laura Stark-Arola’s account of th
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disparate material constituted by t
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so Barthes claims. Nevertheless, Ba
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1.5 Method The choice of material h
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in stories of the supernatural has
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2 MATERIAL AND CONTEXT 2.1 General
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Rancken tried to entice his pupils
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made in the parish of Vörå. One g
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collection was entrusted to kompete
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narrator’s train of thoughts cann
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56 Vöråbon är förbehållsam, re
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58 Vid antecknandet af traditionen
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entitled “En jägares äfventyr
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the verge of a civil war, he travel
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64 och således misstron mot främl
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There are four narratives in these
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Edvard Wefvar, who collected in Nyl
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70 pärlor, värda att hopsamlas oc
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villages: the villages of Rejpelt,
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And when he had spent all, there ar
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176 öfwer henne. Då talade Cain m
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28) Öppna mig förståndets öga,
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of a paradisical state on earth (te
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182 Later on two Thursday mornings
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ather the other way around; on this
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other girls are simply too virtuous
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the intertwining of various interte
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Who had his dwelling among the tomb
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192 10) In those days when there we
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194 spin the hat and ask: ‘Isn’
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196 will stop and pee at the same t
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And the princes, governors, and cap
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And when she hath found it, she cal
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202 19) Jungfru Lena satt på Kelle
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20) Then cometh he to a city in Sam
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And he denied it again. And a littl
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considerable power over his parishi
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y regulated practices (senses two a
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this reluctance demonstrates that d
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same was suggested in the case of t
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epresentation, embodied in the imag
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6 GENRE, PARODY, CHRONOTOPES AND NO
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ounded texts with strong social and
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gap, minimization and maximization,
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of many tales (Propp 1970: 99), and
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defies the traditional wisdom artic
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228 2) Little Matt Once a workingma
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was married to the eldest and after
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world. His friends are deceitful, h
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indicates that the material used in
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discourse she is an equally enthral
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238 svar éli se dem. tå an ha gai
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240 rummet, stodo utmed dörren ett
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242 under the bed. The boy was look
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listener’s or reader’s expectat
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synchronous (cf. Bakhtin 1986b: 28,
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that he has subverted the ethical f
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stressed in his early works (Bakhti
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collectors, and maybe of his local
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the anxieties of the latter, even t
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In this theory of aesthetic activit
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Here Bakhtin describes perception i
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Bakhtin, the gift of form requires
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all the lies and silences passing b
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creation of aesthetic love. Firstly
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When the troll arrives to extend th
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its chosen form exacerbates its unf
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270 den så grann?” - “Nå, nä
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ecause death seldom furnishes a fin
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7.4 Aborted Dialogues A rather spec
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ization and unfinalizability co-exi
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absolutely necessary ingredient. Ob
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8 DISCUSSION In this dissertation I
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mentalities; in spite of the social
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exhibited the Bakhtinian form of di
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9 ABBREVIATIONS AND BIBLIOGRAPHY AT
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Bakhtin, M. M. 1993: Toward a Philo
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Dentith, Simon 1995: Bakhtinian Tho
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Hartmann, Elisabeth 1936: Die Troll
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Hymes, Dell 1989: Ways of Speaking.
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Mills, Sara 2002: Discourse. Routle
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Siikala, Anna-Leena 2000b: Variatio
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Vice, Sue 1997: Introducing Bakhtin
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R II 131: Löpargossen och hans kat
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3) Tsjittargrå He va’ ejngang e
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yet”, the bear answered. When the
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i sama unjiform, som ’an va i, to
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10) The Three Suitors Once upon a t
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Kaptejnin fréga’ to, om dem int
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the midnight sun. Her husband didn
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5) Vanligtvis hålla sig trollen i
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gick tå å sa åt bondn, hä a sku
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Eve and come there among the trolls
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Fig. 2. The banishment of Adam and
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Fig. 4. The Prodigal Son (Luke 15:2
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Fig. 6. Peter denies Christ (Luke 2
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Fig. 8. The conversion of Paul on t