10.04.2013 Views

The Genre of Trolls - Doria

The Genre of Trolls - Doria

The Genre of Trolls - Doria

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

more <strong>of</strong> a running commentary on the Biblical text expounded. Regarding<br />

the themes <strong>of</strong> the extant sermons, the atonement accomplished in Christ,<br />

Christian conduct, the religious controversies <strong>of</strong> the time and admonitions<br />

predominate (Dahlbacka 1984: 29). Wefvar also included folklore in his<br />

speeches, which he attempted to make in the vernacular in consonance<br />

with the local language (Dahlbacka 1984: 27). In a fragmentary manuscript<br />

he relates the story <strong>of</strong> two girls kidnapped by the Russians during the<br />

Great Hate, associating their exiled condition with the wretchedness <strong>of</strong><br />

mankind having distanced itself from God (IF 111: 74). Thus, Wefvar explicitly<br />

made associations between religious tradition and folklore, and constituted<br />

one channel through which his audience came into contact with<br />

such a way <strong>of</strong> thinking. Notwithstanding, I do not believe Wefvar invented<br />

this perspective on the relation between religion and folklore, but his<br />

sermons may have reinforced any tendency to adopt such a point <strong>of</strong> view<br />

among his listeners. To what extent his sermons might have resembled his<br />

way <strong>of</strong> representing folklore in his records is difficult to tell; the extant<br />

manuscripts <strong>of</strong> his sermons are in standard Swedish and are written in a<br />

somewhat laboured style, and he could well have delivered them in this<br />

form.<br />

This manner <strong>of</strong> associating folk narratives with Biblical texts and hymns<br />

is exemplified in a number <strong>of</strong> records. One mentions an old woman who is<br />

being fed by three doves like Elijah was nurtured by ravens by the brook<br />

(I Kings 17: 4–6; Nyland 1887, 114: 137–138), and another tells <strong>of</strong> a man being<br />

thrown out <strong>of</strong> his drying-barn by a ghost; the narrator observes that he had<br />

to “arise, take up his bed and walk” like the man sick with palsy (Matthew<br />

9: 6; Mark 3: 11; Luke 5: 24; John 5: 8; SLS 98: 72). A man being hindered by<br />

a rå on the road uttered a slightly modified variant <strong>of</strong> the first line <strong>of</strong> Psalm<br />

23, “<strong>The</strong> Lord is my Lord [i.e., shepherd]; I shall not want”, and escaped<br />

(SLS 217: 542). In one case the supernatural creature is the one to quote the<br />

hymnal: a girl who was desperate to get married promised to wed a<br />

merman, but asked to be allowed to visit the groom’s home before the<br />

wedding. He consented, but ended up abandoning her on the shore, citing<br />

the twelfth verse <strong>of</strong> hymn 205 in the old Swedish hymnal: “Here no-one<br />

can live, for here no-one has peace. Where am I to find shelter for the<br />

night? God [has] determined the moment in which I [will] sink to the bottom,<br />

so great is my misfortune” (R II 28a; my translation). In another text,<br />

the singing <strong>of</strong> hymn 456, “Now tears and lamentations await” in a mountain<br />

Context 83

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!