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The Genre of Trolls - Doria

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<strong>of</strong> a paradisical state on earth (texts 1, 3, 6, 9), either through moral purity<br />

as in the story <strong>of</strong> the self-conceited girl (text 9), or in the otherworld <strong>of</strong><br />

supernatural beings (texts 1, 3, 6). <strong>The</strong> latter method represents the non-<br />

Christian alternative, whereas the former approach, atonement, is more in<br />

line with the Christian tradition. A paradisical condition as actualized in<br />

birth-giving without pain is another variant <strong>of</strong> Paradise on earth (Wolf-<br />

Knuts 2000).<br />

<strong>The</strong> other instances <strong>of</strong> inversion or negation <strong>of</strong> Biblical intertexts are essentially<br />

congruent with the religious tradition as a whole. <strong>The</strong> inversion <strong>of</strong><br />

the structure <strong>of</strong> the story <strong>of</strong> St. Paul (text 12) in the narrative <strong>of</strong> the unruly<br />

midwife (text 16) actually reaffirms the supremacy <strong>of</strong> the Biblical text since<br />

the midwife’s conduct is disapproved <strong>of</strong>. Likewise, the negation <strong>of</strong> the murder<br />

<strong>of</strong> Abel (text 27) in the story <strong>of</strong> the Storkyro boy (text 21) is in consonance<br />

with the Fifth Commandment, “Thou shalt not kill” (Deuteronomy<br />

5: 17). <strong>The</strong> folklore texts are defending social values as against anti-social<br />

ones, and the Biblical narratives as such are not the object <strong>of</strong> critique.<br />

180<br />

Intertextuality as Ideological Critique

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