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The Genre of Trolls - Doria

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1 INTRODUCTION<br />

1.1 Statement <strong>of</strong> Purpose<br />

<strong>The</strong> supernatural tradition that is the object <strong>of</strong> this study, the Swedish troll<br />

tradition in Finland as documented in archived material collected between<br />

the 1850s and 1925, has previously received little scholarly attention; apart<br />

from a few articles (e.g. Lönnqvist 1996), this is the first monograph produced<br />

on the subject, and I will therefore begin my inquiry with a description<br />

<strong>of</strong> the folklore <strong>of</strong> trolls for the benefit <strong>of</strong> readers with a comparative<br />

interest. <strong>The</strong> troll in the Swedish oral tradition in Finland is a supernatural<br />

creature primarily associated with hills and rocks in the forest, but apart<br />

from that, it is difficult, if not impossible, to give a good definition <strong>of</strong> the<br />

troll. It is <strong>of</strong>ten a solitary being, but it may also live with others <strong>of</strong> its kind.<br />

Judging by the sources at my disposal, it is not chiefly an empirical being—<br />

I have not been able to find reports <strong>of</strong> sightings or personal experience<br />

stories, apart from a legend told in the first person singular, but that seems<br />

to be more <strong>of</strong> a narrative strategy—but this impression may well be false<br />

due to the haphazard nature <strong>of</strong> collection. Perhaps reports <strong>of</strong> sightings<br />

never happened to be recorded, even though they existed. Any definite<br />

conclusion cannot be drawn on the basis <strong>of</strong> the recorded material alone.<br />

My basic research problem can be thus formulated: how do the performers,<br />

<strong>of</strong> whose narratives we have some form <strong>of</strong> transcript, construct the image<br />

<strong>of</strong> the troll, and how is the relation between man and troll represented<br />

in the texts? <strong>The</strong>se questions recur in many guises throughout the thesis,<br />

and I find them important because they imply an examination <strong>of</strong> the world<br />

view <strong>of</strong> the narrators, and <strong>of</strong> what it means to be human in a world also<br />

inhabited by extra-human forces. <strong>The</strong> description <strong>of</strong> the troll tradition is<br />

divided into the following sections, roughly corresponding to the temporal<br />

frame <strong>of</strong> encounter: “3.1 <strong>The</strong> Conditions <strong>of</strong> Encounter” focuses on the<br />

time and place <strong>of</strong> the encounter, and on the agent traversing the boundary<br />

between this world and the otherworld. <strong>The</strong> conditions and distinguishing<br />

characteristics <strong>of</strong> women’s, men’s and children’s encounters with the troll<br />

are also considered. “3.2 <strong>The</strong> Troll and Its World” discusses the appearance<br />

and abilities <strong>of</strong> the troll, its world and surroundings. “3.3 Interaction<br />

between the Realms” describes the relations between man and troll, both<br />

hostile and friendly. <strong>The</strong> attitude <strong>of</strong> the troll to Christianity is explored as<br />

Statement <strong>of</strong> Purpose 1

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