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The Genre of Trolls - Doria

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a restoration <strong>of</strong> inherited privileges. It is important to remember that<br />

clothes were <strong>of</strong> great significance as a marker <strong>of</strong> social status, as they were<br />

one <strong>of</strong> the few things immediately distinguishing members <strong>of</strong> the upper<br />

and the lower classes in a local community. <strong>The</strong>re is also an element <strong>of</strong><br />

alienness and indeterminacy in these girls, resting on the fact that they<br />

remain unrecognized by their social peers or superiors.<br />

In a tale narrated by the shoemaker Svendlin living in the village <strong>of</strong><br />

Lotlax in Vörå, these ingredients receive an expressive articulation. <strong>The</strong><br />

princess is being mistreated by her stepmother, the queen, but in her moment<br />

<strong>of</strong> distress, she is aided by an old man:<br />

2) Var sondasmorun to dem fåor ti tsjyrtsjun, so la dem in kappa gryn och in vakka<br />

(fyra kappar) sand i la me som un sku lag rejnt o kåok, tert dem sku kom från tsjyrtsjun.<br />

Sidan so hend e se in sondas morun to ti áder ha fari ti tsjyrtsjun, he in gubb kom in til<br />

in, tär un sat o grét i stugun o fréga va un gråter åt. Hun birätta to fyr an va un sku mott<br />

jer o int vist hur e sku vál jåort. Gubbin gáv in to in tsjepp, o sá he un sku gá på gålin o<br />

slå i stejnin so sku un få önsk se grann kléder o e par gullskåor, so sku un få gá ti tsjyrtsjun,<br />

men kom tedan, förr än prästin leser “Herren velsine oss”. Hun jåol som gubbin bád in: tåo<br />

tsjeppin an gáv in, o jig o klappa i stejnin på gålin, o fig se grann klénin o gull skåor. Sidan<br />

so jig un i tsjyrtsjun o sestis i bentsjin framfyr drottninjin. All fyrundra se yvi hennar, fy<br />

in so grann kvinnu ha dem aldri sítt i tsjyrtsjun, o injin tsjend in. Förr än prästin las<br />

“Herren velsine oss”, so jíg un iut. To un kom hejm, so klédd un óv se tem di klénin, o<br />

gull skåor, o tåo gambel klénin sín tibák o på se. (R II 188)<br />

2) Every Sunday morning when they went to church, they put one peck <strong>of</strong> grain with<br />

one bushel (four pecks) <strong>of</strong> sand added to it that she was to cleanse and cook until they<br />

returned from church. One Sunday morning it so happened, when the others had gone<br />

to church, that a man came to her, where she sat crying in the cottage and asked what<br />

she was crying for. <strong>The</strong>n she told him what she had to do and she didn’t know how it<br />

was to be done. <strong>The</strong> man gave her a staff, and said she had to go out onto the yard and<br />

rap on the stone, and she would be allowed to wish for splendid clothes and a pair <strong>of</strong> golden<br />

shoes, and she would be allowed to go to church, but [she had to] return from it, before the<br />

parson pronounces “Lord bless us”. She did as the man asked: took the staff he gave her,<br />

and went rapping on the stone in the yard, and got splendid clothes and golden shoes. <strong>The</strong>n<br />

she went to church and sat down in the pew in front <strong>of</strong> the queen. Everyone marvelled at<br />

her, for such a fine lady they had never seen in church, and no-one knew her. Before the<br />

parson pronounced “Lord bless us” she left. When she came home, she removed those<br />

clothes, and [the] golden shoes, and took her old clothes back and dressed in them.<br />

<strong>The</strong> helper ensures that the princess acquires the raiment appropriate<br />

to her station and withheld by her wicked stepmother; the outer splendour<br />

is also a confirmation <strong>of</strong> her inner virtue. Nevertheless, the exaltation<br />

is subject to a condition: she is not to stay in church while the parson<br />

Blindness and Illumination 145

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