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The Genre of Trolls - Doria

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the tension and interplay between these points <strong>of</strong> view that I wish to elucidate.<br />

In his early works (Bakhtine 1984; Bakhtin 1993), Bakhtin pondered<br />

the relation between self and other in terms <strong>of</strong> finalization, the bestowal <strong>of</strong><br />

form, rather than unfinalizability, which he regarded as the consequence <strong>of</strong><br />

poor art. <strong>The</strong>se early formulations <strong>of</strong> the problem <strong>of</strong> intersubjectivity are a<br />

fair complement to the later theories <strong>of</strong> polyphony and dialogue with their<br />

unbridled celebration <strong>of</strong> indeterminacy. Thus I will analyze the role <strong>of</strong> unfinalizability<br />

on the one hand and finalization on the other in the construction<br />

<strong>of</strong> the relationship between man and troll, taking the differing requirements<br />

<strong>of</strong> the genre and <strong>of</strong> the characters into account.<br />

An important aspect <strong>of</strong> Bakhtin’s conception <strong>of</strong> unfinalizability is the assumption<br />

<strong>of</strong> a dialogical position in relation to the hero on the part <strong>of</strong> the<br />

author. Such a position entails the adoption <strong>of</strong> a very open attitude to the<br />

characters which allows them to develop freely within the narrative. Hence<br />

dialogue is employed in a restricted sense, as it implies a willingness to listen<br />

unconditionally to the other. <strong>The</strong> performer <strong>of</strong> a narrative <strong>of</strong> trolls may<br />

be presumed to exhibit such an attitude to his supranormal characters by<br />

permitting them “to be themselves”, and this hypothesis needs to be verified,<br />

but I also want to examine whether the human characters in the text<br />

engage in dialogue with the troll in this specific sense, and what it might<br />

suggest for the interpretation <strong>of</strong> the relationship between humans and<br />

supernatural creatures.<br />

To summarize, I hope to demonstrate how theories <strong>of</strong> intertextuality and<br />

genre taken together may serve to highlight the creation <strong>of</strong> images <strong>of</strong> the<br />

supernatural in narrative. Finally, I want to stress that the interpretations<br />

presented in this thesis are my own, based on my individual store <strong>of</strong> knowledge,<br />

and that others, including the narrators I am studying, might well<br />

see, or have seen, other connections than I am able to perceive. Similarly,<br />

the conclusions I draw on the basis <strong>of</strong> these interpretations are my own,<br />

and they are custom-made for the material I am utilizing. Hence, even<br />

though I believe they have some degree <strong>of</strong> general applicability, I also think<br />

they have to be tested in each individual case.<br />

1.2 Delimitations and Definitions<br />

<strong>The</strong> present study is geographically, linguistically and temporally delimited;<br />

it is primarily focused on the provinces <strong>of</strong> Nyland (Uusimaa), Southwestern<br />

6<br />

Introduction

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