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The Genre of Trolls - Doria

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perceiving another person as an other was, according to Bakhtin, the ability<br />

to create a bounded image <strong>of</strong> that person, and in this case, it is impossible<br />

to do so, due to the invisibility <strong>of</strong> the troll. <strong>The</strong> troll is therefore transferred<br />

to the category <strong>of</strong> the self which is characterized by just such a lack<br />

<strong>of</strong>, and the impossibility <strong>of</strong> the existence <strong>of</strong>, a bounded image. <strong>The</strong> parents’<br />

position <strong>of</strong> outsideness loses its significance completely, as it utterly fails to<br />

endow the troll with a body and soul, and hence to finalize it. To them,<br />

the troll is not contained within her exterior form, and her interior does<br />

not coincide with that form. If the boy had not been able to hint at her<br />

whereabouts, she might as well have been engulfing and embracing the<br />

world, like the self, but in a physically more concrete sense; in other words,<br />

she could be anywhere and everywhere. Thus, she is not an object for the<br />

parents, nor does she possess any significant boundary that could pin-point<br />

her in any respect; put in relation to Bakhtin’s distinctions, this would place<br />

her in the category <strong>of</strong> the self. Her temporal whole, circumscribed by her<br />

birth and death, is entirely inaccessible to them; for all they know, she<br />

might be the one encompassing their lives, i.e., they are objects for her,<br />

creatures finalized by the supernatural, but they cannot reciprocate by making<br />

her embodied, contained within her boundaries. This is one <strong>of</strong> the reasons<br />

for their anxiety and the desperation with which they strive to make<br />

her visible. <strong>The</strong> infliction <strong>of</strong> pain propels her to abandon her invisibility<br />

and assume a tangible shape. In Scandinavian folklore it is a standard trick<br />

for coping with the nightmare and witches appearing in animal guise or as<br />

artefacts: the pain recalls them to their true shape due to the analogic relation<br />

between the physical and spiritual bodies; harming one body has repercussions<br />

for all the other ones (Raudvere 1993: 48). <strong>The</strong> adoption <strong>of</strong> a<br />

physical body enables the normal operation <strong>of</strong> outsideness; the parents finally<br />

succeed in giving the troll material boundaries. <strong>The</strong> assignation <strong>of</strong> her<br />

temporal boundaries is interesting: her advanced age places her closer to<br />

the end <strong>of</strong> her life, which facilitates finalization. <strong>The</strong> life-span <strong>of</strong> the troll<br />

becomes possible to grasp for humans when her death is foreseeable.<br />

A consequence <strong>of</strong> Bakhtin’s conception <strong>of</strong> self and other is that the self<br />

always constructs its identity in relation to others (cf. Holquist 1990: 28–29).<br />

Here it might be appropriate to consider what the other <strong>of</strong>fers the self in<br />

this respect. I have already touched upon the one-sided finalization <strong>of</strong> the<br />

boy’s parents available to the troll. This kind <strong>of</strong> finalization is not a gift<br />

from the other to the self, because it lacks a crucial ingredient: love. For<br />

<strong>The</strong> Terrors <strong>of</strong> Unfinalizability 259

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