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The Genre of Trolls - Doria

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foreign land, bringing his riches with him, the latter is kidnapped and becomes<br />

a servant. <strong>The</strong> Storkyro boy continuously prospers in his servitude<br />

and returns a wealthy man, the prodigal son squanders his possessions and<br />

comes back a starving pauper. Hence the former does not suffer from the<br />

shame felt by the latter. Accordingly, the folk narrative (text 21) proves a<br />

reversal <strong>of</strong> the New Testament story in this respect (text 26). <strong>The</strong> pride,<br />

ambition and extravagance at the outset in the Gospel <strong>of</strong> Luke are transmuted<br />

into a more nondescript humbleness in the folklore text; on the<br />

whole the motivations <strong>of</strong> the peasant boy are harder to discern and analyze.<br />

In the end, the prodigal son is mortified and realizes he has sinned against<br />

heaven and his father, and returns with no great hopes, while the Storkyro<br />

boy seems to have preserved a fairly meek attitude: the act <strong>of</strong> showing his<br />

valuables might imply a desire to share them with his relatives, it is hardly<br />

an expression <strong>of</strong> haughtiness.<br />

Unlike the case in the Gospel text (text 26), the peasant boy’s parents are<br />

no longer alive. He has no father to return to, his brother has taken his<br />

place, and he does not deplore the arranging <strong>of</strong> a feast for a spendthrift<br />

lacking in judgement, but he does resent his riches as long as he remains<br />

secretive about his identity. Eventually his brother does organize a homecoming<br />

festival for him, but prior to that a further complication is introduced.<br />

His brother starts to covet his possessions and decides to kill him. He<br />

gets his chance when the incognito guest wants work, and he kindly invites<br />

him to stay within the household. <strong>The</strong> traveller agrees to the proposal, and<br />

the two <strong>of</strong> them set out to work on a fence in the forest. Thrice a raven<br />

comes to warn him <strong>of</strong> the other’s deceit, and he finally confronts his brother<br />

and reveals his own identity.<br />

<strong>The</strong> design <strong>of</strong> the brother recalls, unbeknownst to him, several Old Testament<br />

narratives, the most prominent <strong>of</strong> which is the murder <strong>of</strong> Abel:<br />

27) Och Adam kände sina hustru Hewa, och hon aflade och födde Cain, och sade: Jag<br />

hafwer fått HERrans man. Och hon födde framdeles Habel hans broder. Och wardt<br />

Habel en fåraherde, men Cain wardt en åkerman. Och det begaf sig efter några dagar,<br />

at Cain <strong>of</strong>frade HERranom gåfwor af jordenes frukt. Och Habel <strong>of</strong>frade desslikes af<br />

förstlingene af sin får, och af deras talg: Och HERren såg täckeliga til Habel och hans<br />

<strong>of</strong>fer. Men til Cain och hans <strong>of</strong>fer såg han icke täckeliga. Då wardt Cain swårliga wred,<br />

och hans hy förwandlades. Sade HERren til Cain: hwi äst du wred? Eller hwi förwandlas<br />

din hy? Är det icke så? Om du äst from, så äst du tacknämlig; men äst du icke from,<br />

så blifwer icke synden säker eller fördold; men städ henne icke hennes wilja, utan råd<br />

Blindness and Illumination 175

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