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The Genre of Trolls - Doria

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pronounces the benediction. In this respect the intertext agrees with the<br />

troll text. We may assume that a breach <strong>of</strong> this taboo would result in her<br />

finery falling apart into mere rags, as in the troll text, or something far<br />

worse. She is fortunately spared that ignominy—thereby negating the catastrophe<br />

<strong>of</strong> the troll text—and she enjoys great admiration, “for such a fine<br />

lady they had never seen in church”, and no-one recognizes her, as is the<br />

case with the girl in the folk narrative. Later in the story a prince sees her<br />

in church and falls in love with her, and eventually they marry.<br />

In the stories church-going is an occasion for flaunting one’s Sunday best.<br />

Unlike her equivalents in other tale types however, the girl in the first text<br />

is not allowed to keep her finery, as it has been bestowed on her due to the<br />

abduction, a negatively charged event. Other heroines may also acquire<br />

their apparel from supernatural beings, but the circumstances <strong>of</strong> their<br />

reception are characterized by a less intimate relationship between donor<br />

and recipient—the heroines are not integrated into the supranormal world<br />

like the abducted girl is, and the encounter <strong>of</strong> the women and their supernatural<br />

helpers is brief. <strong>The</strong> trolls in the first text, the adversaries, fill a<br />

function (not to be understood in the Proppian sense as “l’action d’un personnage,<br />

définie du point de vue de sa portée significative dans le déroulement<br />

du récit” (Propp 1970: 36)) appropriate to their structural opposites,<br />

the helpers. This inversion <strong>of</strong> roles, enacted on the level <strong>of</strong> conventions,<br />

might help to partly explain the sorry outcome <strong>of</strong> the girl’s elevation; it<br />

comes from the wrong quarter. <strong>The</strong> structural rules <strong>of</strong> the folk narrative are<br />

subverted as the adversary assumes the place <strong>of</strong> the helper; in a way the two<br />

categories meld in the image <strong>of</strong> the troll, but the effect is not eternal. <strong>The</strong><br />

invocation <strong>of</strong> the divine realm in the uttering <strong>of</strong> the benediction and the<br />

prayer effectively disrupts the power <strong>of</strong> the troll and annuls its encroachment<br />

on tasks proper to other characters. All troll texts <strong>of</strong> this type<br />

have such a reversal and conflation <strong>of</strong> roles in common.<br />

<strong>The</strong> second <strong>of</strong> Jacob Tegengren’s records was made in 1921 and reads as<br />

follows:<br />

146<br />

3) En flicka från Rökiö by i Vörå vallade kor i närheten av Boberget. Hon blev tagen av<br />

trollen och förd in i berget där hon kläddes i fina kläder. Trollen gåvo henne tillåtelse att alla<br />

söndagar besöka kyrkan, blott hon lovade att avlägsna sig härifrån innan prästen läst Herrans<br />

bön. En gång tyckte flickan att hon gärna kunde dröja i kyrkan tills gudstjänsten var slut.<br />

När prästen läste välsignelsen föllo de fina kläderna av henne och hon satt i samma trasiga<br />

dräkt, som hon haft den gången hon vallade kor. (SLS 324: 299)<br />

Intertextuality as Ideological Critique

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