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2008-2009 Academic Catalog - Queens University of Charlotte

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174<br />

David Payne is the author <strong>of</strong> five novels, Confessions <strong>of</strong> a Taoist on Wall Street, Early from<br />

the Dance (Doubleday, 1989), Ruin Creek, (Doubleday, 1993) Gravesend Light (Doubleday,<br />

2000) and Back to Wando Passo (Wm Morrow, 2006).<br />

Susan Perabo is the author <strong>of</strong> a collection <strong>of</strong> stories, Who I Was Supposed to Be and a<br />

novel, The Broken Places. Stories from the collection have appeared in such places as Story,<br />

Glimmer Train, TriQuarterly, The Black Warrior Review and the anthologies Best American<br />

Short Stories and New Stories from the South.<br />

Jon Pineda is the author <strong>of</strong> Birthmark (Southern Illinois <strong>University</strong> Press, 2004), winner <strong>of</strong> the<br />

2003 Crab Orchard Award Series in Poetry and the recent winner <strong>of</strong> the 2007 Green Rose<br />

Prize from New Issues Poetry & Prose (Western Michigan <strong>University</strong>) for his second manuscript<br />

The Translator’s Diary (due out in March <strong>2008</strong>). His work has appeared in numerous literary<br />

journals, including the Crab Orchard Review, Poetry Northwest, Prairie Schooner, among<br />

others.<br />

Robert Polito is the author <strong>of</strong> Doubles (poetry), A Reader’s Guide to James Merrill’s Changing<br />

Light at Sandover and Savage Art: A Biography <strong>of</strong> Jim Thompson, which received the National<br />

Book Critics Circle Award in Biography/Autobiography. He edited the Library <strong>of</strong> America<br />

volumes Crime Novels: Noir <strong>of</strong> the 1930s & 1940s and Crime Novels: American Noir <strong>of</strong> the<br />

1950s. His poems and essays have appeared in The New Yorker, the Voice Literary Supplement,<br />

Verse, Threepenny Review, Yale Review, Bookforum, Ploughshares, The New York<br />

Times Book Review, Bomb, Fence, Open City, Boston Phoenix, Best American Poetry and<br />

other journals and anthologies.<br />

Patricia Powell is the author <strong>of</strong> Me Dying Trial, A Small Gathering <strong>of</strong> Bones, The Pagoda and<br />

a forthcoming novel, Revelation.<br />

Kym Ragusa is the author <strong>of</strong> The Skin Between Us: A Memoir <strong>of</strong> Race, Beauty and Belonging,<br />

published by W.W. Norton and Company in 2006. Her essays have appeared in the anthologies<br />

Are Italians White: The Making <strong>of</strong> Race in America and The Milk <strong>of</strong> Almonds and the<br />

journals Leggendaria and TutteStorie.<br />

GRADUATE PROGRAMS<br />

Claudia Rankine is the author <strong>of</strong> four collections <strong>of</strong> poetry, Don’t Let Me Be Lonely (Greywolf<br />

Press, 2004), Plot (Grove/Atlantic, 2001), The End Of The Alphabet (Grove/Atlantic, 1998)<br />

and Nothing in Nature Is Private (Cleveland State <strong>University</strong> Poetry Press, 1995). She is coeditor,<br />

with Julia Spahr, <strong>of</strong> American Women Poets in the 21st Century: Where Lyric Meets<br />

Language and her work has been published in numerous journals and is included in several<br />

anthologies.<br />

Kathryn Rhett is the author <strong>of</strong> Near Breathing, a memoir and editor <strong>of</strong> Survival Stories: Memoirs<br />

<strong>of</strong> Crisis. Her essays have been published in Crab Orchard Review, Creative Nonfiction,<br />

Harvard Review, Massachusetts Review, Michigan Quarterly Review, The New York Times<br />

Sunday Magazine and elsewhere. She has also published poetry in journals such as Bellingham<br />

Review, Grand Street, The Ohio Review, Ploughshares and reviews in Chicago Tribune<br />

Books.<br />

Steven Rinehart is the author <strong>of</strong> the 2003 novel Built in a Day and the 1999 short story collection<br />

Kick in the Head, both published by Doubleday/Anchor. His short stories have appeared<br />

in Harper's, GQ, Story, Ploughshares and elsewhere.

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