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Digital curation has served as an umbrella concept that spans a<br />

diversity of professions, institutions and sectors. “Digital<br />

curation” is less wedded to specific institution types than phrases<br />

such as “digital archives” or “digital libraries.” It also reflects a<br />

tendency toward increasing convergence across different types of<br />

institutions, which is driven in large part by technological changes<br />

and considerations [12].<br />

Digital curation is a recent (and useful) phrase to designate a set<br />

of opportunities for cross-institutional and cross-disciplinary<br />

engagement that have been evolving for decades. We believe that<br />

individuals in the public sector can benefit from a better<br />

understanding of advances in digital curation. Conversely, we<br />

believe that experts in electronic governance have a great deal to<br />

contribute to the evolving dialogue around digital curation. It is<br />

our hope that this ICEGOV tutorial will help to catalyze such<br />

connections.<br />

3. BACKGROUND TO THIS TUTORIAL<br />

Over the past decade, we have developed and administered a wide<br />

range of professional educational offerings in digital curation.<br />

Tibbo hosted the Humanities Advanced Technology and<br />

Information Institute week-long digitization workshops in March<br />

2002, May 2003, and May 2004[1]. Since 2006, we have<br />

administered several digital curation education and professional<br />

engagement projects funded by the Institute for Museum and<br />

Library Services (IMLS): (1) Preserving Access to Our Digital<br />

Future: Building an International Digital Curation Curriculum<br />

(DigCCurr) [2], (2) DigCCurr II [3], (3) Educating Stewards of<br />

Public Information for the 21st Century (ESOPI-21) [4], (4)<br />

Closing the Digital Curation Gap (CDCG) [5], and Educating<br />

Stewards of the Public Information Infrastructure (ESOPI 2 ) [6].<br />

These projects have generated a detailed curriculum framework<br />

[7], course modules, full graduate courses [8], week-long<br />

continuing education institutes for professionals [9] and numerous<br />

practical engagement opportunities through paid fellowships. 1 In<br />

April 2010, the SILS faculty approved a new Graduate Certificate<br />

in Digital Curation [11].<br />

As part of the DigCCurr II project, we have offered a week-long<br />

digital curation institute for working professionals every year<br />

since 2009 [8]. The first three years of the institute were<br />

supported through funds from the IMLS. This year’s institute<br />

(2012) was funded solely through participant registration fees.<br />

The Royal Library of Denmark asked us to offer the institute for<br />

them in Copenhagen, which we administered in June 2012.<br />

This ICEGOV tutorial also builds upon "An Introduction to<br />

Digital Curation for Public Records Professionals," a workshop<br />

that we offered at the joint annual meeting of the National<br />

Association of Government Archives and Records Administrators<br />

1 DigCCurr and ESOPI Fellows have had field placement in<br />

institutions including the National Archives and Records<br />

Administration (NARA); the North Carolina State Archives; the<br />

town of Chapel Hill, NC; Orange County, NC; NC Live; UNC-<br />

CH’s University Archives; the Odum Institute for Research in<br />

Social Science, and the Environmental Finance Center of the<br />

UNC School of Government.<br />

529<br />

(NAGARA) and Council of State Archivists (CoSA) on July 16<br />

2011 in Nashville, Tennessee.<br />

4. OUTLINE AND CONTENT<br />

Digital curation brings a wide array of opportunities and<br />

challenges. Opportunities include wider access, integrated access,<br />

representation of a wider range of human experience, persistence<br />

through redundant copying, economies of scale, and enrollment of<br />

collective expertise. Challenges include bit rot, obsolescence,<br />

social inertia, technology monitoring, limited intellectual control,<br />

complex access environments, and various barriers to conveying<br />

meaning over time.<br />

Digital resources are composed of interacting components that can<br />

be considered and accessed at different levels of representation<br />

(e.g. bitstream, through a filesystem; files as rendered through<br />

specific applications; records composed of multiple files; abstract<br />

“works”; larger aggregations such as web sites) [21]. Accessing<br />

and using a document stored as a digital object, requires the<br />

coordinated operation of various hardware and software<br />

components (e.g. storage medium, peripheral devices, operating<br />

system, device drivers, application software). To ensure integrity<br />

and future use, digital curation requires numerous decisions<br />

regarding treatment at multiple levels of representation.<br />

The challenges associated with digital curation are not only<br />

technical but also institutional, economic and political. In order<br />

for digital collections to be sustainable over time, the actors<br />

responsible for curation must continuously have appropriate<br />

expertise, resources, and a political/institutional mandate to carry<br />

out the work required. Given the cost and complexity of digital<br />

curation, as well as the potential to exploit the rich sets of<br />

relationships across individual collections, coordination of work<br />

across social boundaries is also important.<br />

When acquiring, managing and providing access to materials,<br />

professionals must consider various norms, laws, codes of ethics,<br />

policies, procedures, and personal values. As they address<br />

curation of digital information, they are increasingly discovering<br />

“policy vacuums” [18] in which there is no existing guidance on<br />

new issues, and “latent ambiguities” [19] 2 in established guidance.<br />

Digital curation requires clear articulation of policies, procedures,<br />

and practices in ways that were not previously necessary.<br />

In order to address the above considerations, the ICEGOV tutorial<br />

will be composed of the following components:<br />

• Welcome, introductions and logistics<br />

• Overview of digital curation definition, scope and main<br />

functions<br />

• Trustworthiness and assessment<br />

• The many levels of representation in digital materials –<br />

implications for curation<br />

• Lifelong learning for digital curation<br />

The content of this tutorial will address various elements of all<br />

four areas of the “Lifecycle of Electronic Governance Initiatives”<br />

identified in the ICEGOV call: planning, architecture,<br />

implementation and operations. The tutorial is designed to expose<br />

participants to a wide range of professional and strategic issues<br />

2 Lessig borrows the term “latent ambiguity” from [20].

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