icegov2012 proceedings
icegov2012 proceedings
icegov2012 proceedings
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Social capital is often measured in terms of individual and<br />
institutional trust and reciprocity, and divided into bonding and<br />
bridging social capital. Trusting individuals lowers barriers to<br />
participation and simplifies transactions, as there is less need for<br />
written contracts and other control measures. Institutional trust<br />
indicates that government institutions such as police, judicial<br />
system and administration are functioning well. Reciprocity, the<br />
degree in which people are willing to give something back when<br />
they receive something, is another measure of social capital [31,<br />
32].<br />
There are several types of social capital. Bonding social capital is<br />
the connections between individuals in a group, such as the<br />
traditional village or a local community. Bridging social capital is<br />
the connection between different groups, where individuals in a<br />
group have ties to individuals in other groups [29]. A third type of<br />
social capital is “maintained social capital”, the ability to keep<br />
one’s connections also when one is physically separated from<br />
them [33].<br />
In Information Systems, social capital have been used to measure<br />
both how technology affects social capital, and how social capital<br />
affects development of technology [32]. Other studies have shown<br />
that the characteristics and user population of social networking<br />
services is important for the level of social capital and for the<br />
outcome of political debate on such sites [34]. And that spending<br />
time in front of screens can increase social capital, depending on<br />
the activities we are conducting [35].<br />
2.3 Genres of Communication<br />
Genre theory has been applied to study communication patterns in<br />
a number of eParticipation studies [36-39]. Genres can act as a<br />
tool for studying the role of communication in social processes<br />
[10]. Genres develop over time, in the interaction between<br />
predefined rules for communication and the people that are<br />
communicating. Genres are useful when studying social media<br />
use in eParticipation, as the introduction of new media over time<br />
often leads to new communication practices which genre theory<br />
allows us to map and analyze [38]. By studying communication<br />
genres instead of the technology used to communicate, we can<br />
discover how communication changes and evolves over time [11].<br />
Genres can be defined using the 5w1h-method By asking where,<br />
why, when, who, what and how, we can uncover the purpose,<br />
contents, placement in time, location, participants, structure and<br />
medium for communication [40, 41]:<br />
o Where tells us where the communication takes place, the<br />
medium being used, or the physical location.<br />
o Why explains the purpose of the genre, as understood by<br />
those using it.<br />
o When refers to the time where communication takes place.<br />
For example, the “job application” genre is enacted when<br />
applying for a job, and needs to be in by a set date.<br />
o Who defines the actors involved in communication, the<br />
sender and receiver of the genre.<br />
o What is the content of the genre, and defines what is being<br />
communicated, and any relations to other genres.<br />
o Finally, How describes the technical needs for delivery of the<br />
genre, for example which medium is being used, or any other<br />
technical necessities.<br />
50<br />
Genres are further identified by having a common content (themes<br />
and topics of the conversation) and form (physical and linguistic<br />
features), as well as technological functionality in genres enacted<br />
through electronic media [12]. A common mistake is to confuse<br />
genre and medium, especially when including functionality in the<br />
analysis. E-mail is a medium, while the job application sent via email<br />
is the genre [10].<br />
It is possible to go beyond single genres, and look at the genre<br />
system. Genre systems are collections of genres that belong<br />
together [41]. For example, the previously mentioned job<br />
application is part of a system where the job listing comes first,<br />
followed by the job application and some kind of feedback on the<br />
application. When examining an entire genre system, we can<br />
analyse communicative practices over time, and how new genres<br />
emerge and influence the ways we communicate [11].<br />
By analysing the genre system of different media, we can see if<br />
there are differences between how the genres are enacted, and<br />
identify the genres that are most used by participants in an<br />
eParticipation project (ibid.). By applying genre theory in the<br />
study of new media forms, we get a more comprehensive analysis<br />
than what we would get from only looking at the functionality of<br />
the technology behind the new medium [11].<br />
3. RESEARCH METHOD<br />
The research was framed as a qualitative case study, of which this<br />
paper is one in a series of planned publications. The objective of<br />
qualitative research is “understanding…by investigating the<br />
perspectives and behavior of the people in these situations and the<br />
context within which they act” [42], and qualitative methods are<br />
appropriate for exploratory studies and for examining how<br />
something happens [42, 43]. The case study examines the<br />
phenomenon in its “natural setting”, collects data from multiple<br />
sources, and the researcher may have limited knowledge about the<br />
outcome of the research [44]. Case studies are particularly suited<br />
for research on new phenomena where the actors’ experiences and<br />
interpretations and the wider context are important factors [45].<br />
Our initial objective for the project as a whole was to explore and<br />
understand how social media was being used by activist groups in<br />
a Norwegian municipality. As part of that objective, the research<br />
question for this paper is how are the genre systems of old and<br />
new media used for activist communication, and how do these<br />
genre systems fit with the public sphere ideal?<br />
The urban planning case was chosen for the following reasons:<br />
The process has a long history, dating back almost 30 years. This<br />
provides rich insights into the process, and especially into how the<br />
introduction of social media has changed the way the actors<br />
communicate. The number of people involved also made access to<br />
interview subjects easy. Further, the first author has followed the<br />
case as a citizen over several years before engaging in it from a<br />
research perspective, which leads to a thorough understanding of<br />
the case context. There is a risk of bias, but we have attempted to<br />
minimize this risk through a constant analysis and questioning of<br />
our findings.<br />
The data used in this case was collected between February and<br />
November 2011. We made 12 semi-structured interviews with<br />
representatives related to the case: Members of the city council<br />
(4), officials from the city administration responsible for<br />
developing the plans (2), the private investor’s representative (1),<br />
local media (1 + informal meetings and e-mail with 2 others),